Jump to content
Mander Organs


  1. Mander Organs

    1. Welcome to the Mander Organs Discussion Board

      Updated 5 May 2017

      If you would like to be admitted to the Mander Organs discussion board, please click on this link FORUM REGISTRATION.

      Your details will not be passed to anyone else, nor used by us in any way unless you abuse the Discussion Board.

      The forum has been upgraded as you can see. Login as before. If you wish to change your display name you can. Go to your account settings and change the display name.

      If you are having any problems then please email: adminnospamnewvalleywebdesign.com and replace nospam with @

      • No posts here yet
    2. General discussion

      Use this forum for general discussion topics not covered by the fora below.

    3. The Organ and its Music

      Use this forum for discussion about the organ repertoire, specific organs, specifications and related topics.

    4. Nuts and bolts

      Use this forum for technical topics such as scaling, organ design, acoustics and voicing.

    5. LATEST from Mander Organs

      News of updates to the web site and other announcements from Mander Organs

  • Member Statistics

    • Total Members
    • Most Online

    Newest Member
  • Posts

    • Dear all, I'm contemplating some restoration work on a small organ (circa 1900 vintage) which I acquired as it was being thrown out. The leather eyelets at the ends of the roller arms are perished. I would prefer to replace like with like but where does one obtain such leather eyelets and how are they inserted? Any wise advice would be appreciated. Thank you.
    • As members will know, a new chamade has been installed at the west end of Portsmouth Cathedral by Nicholsons. I believe that Noel Rawsthorne wrote a new piece - Marche Triophale for Gordon Stewart to play at a recent recital. Did anyone hear the recital and does anyone know who is publishing the Marche, by any chance?
    • That's an excellent idea, as I'm sure many people seem to believe that only the pipes they can see actually exist. Getting back to Manchester, that reminded me of the 32' wood and reed in that cathedral which are situated in a side aisle and to which I naturally gravitated.  What I found rather surprising was that visitors can approach those pipes unhindered and can easily reach the tuning springs of the reed!  It only takes an inquisitive visitor to wonder 'what are these strange pieces of wire?' and 'I wonder what happens when I push this one up and down?' And, no, I resisted the temptation!