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Westgallery

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Posts posted by Westgallery

  1. There is a dilema: how does a Parish make an informed decision - especially in circumstances which I have experienced recently where a perfectly good instrument (Walker) was thrown out by a PCC, advised by a newcomer part-time organist who also happened to be an employee of the firm from which they were advised to purchase their new overly-large electrone which cost twice what they needed to spend on the pipe organ. He did the same thing in a previous Parish and, surprise, he moved on to another within a few weeks of this one being signed and sealed. Believe me, there are bigger problems which we have to face here.

     

    DW

     

    I can identify with this situation having fought a long battle in a very similar situation. The good news is that our pipe organ is to be restored!

  2. Just for information, I have never found the board to be slow to access or load pages. I am on the outskirts of Manchester and a long way from the local exchange, which means speeds never exceed 2.5 Mbps.

     

    One thought, many ISP's do their maintenance in the small hours.

     

    Regards, Peter.

  3. But having looked at the spec. - do you find that you really need all that this instrument offers? From a totally personal POV if I had one I would spend more time tinkering with the huge choice of 'alternatives' (what actually is a Rhodes Piano or a Flauto Cavo?) and do no practice at all. I have had a Wyvern Sonata fpr two years now and despite tempations I only bought something that would do what a pipe organ could do. Apart from the rather useless 'Auto Bass' and some quite handy parameter changing controls it can not change into Notre Dame de Paris, a typical Silbermann or even the Blackpool Tower Ballroom. Consequently (most of) my time on it is spent (mostly) on the music - just a thought!

     

    AJJ

     

    No, I have no use for "Auto Bass" either nor for some of the more unusual voices, although the Flauto Cavo is a rather nice Italian stopped flute. However, with most modern digital instruments there are many facilities which you might not choose to use. With the AG2100 the options are all "hidden" down menus and can be selected or not. Once I had tinkered around with them I simply selected the voices I wanted to use to suit my playing, but could make a fresh selection if desired. Before purchasing I looked at different instruments and found that for what I could afford, the quality of finish and more importantly, the sound, of many were lacking. It is sad that there are now no true British manufacturers in this price bracket, only purveyors of re-badged Dutch and Italian models adapted to meet our tastes, and the cost of a UK custom built takes one into the realms of a small pipe instrument. I know which I would choose!

  4. The later Ahlborn-Galanti models, which are made for the American market but available in the UK, are of a much higher standard than previous models.

     

    I use an AG2100 for home practice and find it very acceptable.

     

    Still prefer pipes, but there you are!

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