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Everything posted by bam

  1. Sure - I took it during one of the post-restoration events. PM me if you want the full res version and I'll email it to you.
  2. Still in place at the RFH console....... I was told that when the pipes were cleaned in the recent restoration, a layer of brown varnish was removed - years of nicotine deposits (from smoking in the auditorium!).
  3. There's a little bit in the last post on this page: http://mander-organs-forum.invisionzone.com/index.php?/topic/3973-electronic-substitute-in-a-cathedral/page-3
  4. The RCO is running a survey for what organists want: https://www.rco.org.uk/news_displaystory.php?newsid=232
  5. Not quite a recital, but I remember this being broadcast. It was long before the wide availability of video recorders........ http://genome.ch.bbc.co.uk/adfb3b84beed401b898dc87a2e67dee9 I had not seen the BBC Genome pages before - a very good resource.
  6. Newcastle Cathedral is using a Phoenix: http://www.newcastlegateshead.com/whats-on/st-nicholas-cathedrals-lunchtime-recital-series-p761261 I can't see mention of this on the Forum, but apologies in advance if it has already been covered.
  7. Great pictures! What a beautifully decorated console. You're almost there with the posting: you just need to leave the first at the start of the link as well as the at the end (for some reason my capitals in IMG are changing to lower case). I've taken the liberty of putting one here as a demo.....
  8. For posting photos (here as in some other Forums) I use photobucket: 1. Open a free account at photobucket.com 2. Upload your photo - you may need to resize it first. 800 x 600 is a good size ("Document Small" in some descriptions). 3. Open the photo in your photobucket library and on the right are 4 links. Click on the bottom one (IMG) and it will flash Copied 4. Paste the link into your Forum post where you want the photo to appear 5. You don't have to do the next step but if you don't the link as well as the photo will appear. If you do this you only get the photo: edit the link to delete the part that is before and after the tags, so the link starts and ends with Hope this helps and looking forward to seeing the photos!
  9. innate makes the good point that "a four-manual and pedal instrument (is) essentially 5 relatively small organs operated from one console", but how many large "mechanical action" organs are really like this? A lot seem to have sections on electric or EP action, pneumatic assistance for some basses, electric couplers et al. In the Nov/Dec Choir and Organ, there's piece on the new instrument at Maynooth with a high tech electro-optical coupler system. The reaction (for example, at Llandaff, Worcester and Bury St E) is that there's little point in having mechanical action for a large instrument, but the above discussion implies that the EP parts of these instruments should last 50 years or so but the electronics may last for half that, if the owners are lucky. Returning to the original topic of this thread, I don't think Sheffield Anglican Cathedral was mentioned (although it has been on this Forum before) but I guess they are now through 2/3 of the probable life of their electronic, which was apparently rebuilt in 2006 after taking over from our host's organ in 1998.
  10. We are being hosted by Oli King, the DOM - I don't know any further details but will ask.
  11. Are there any opinions on whether the RoHS regulations are likely to affect the reliability or longevity of electronic components? There was a lot of speculation that removing lead from solder would make it more brittle and lead to a shorter life, but has this been proven in practice or are we still waiting to find out? There are some interesting examples in Buckinghamshire: Aylesbury Methodist Church: 3 manual Bradford electronic organ, recently completely "rebuilt" recently which involved replacing the electronics but keeping the console and speakers. It can sound nice when played softly but anything loud sounds pretty synthetic. Chesham Parish Church: 3 manual hybrid, with the main Great and Swell choruses from pipes but electronic reeds, upperwork, Choir and most of the Pedal. I hate to say it but it can sound quite good. The drawback was that when it got to about 15 years old it started to cut out intermittently but completely and it took the builders over 3 months to track down the fault. Quainton Church: 2 manual extension organ: the electronics developed a "system fault" in October which means some notes on the Swell don't work. Although it's still under guarantee (it's about 8 years old) the builders have not yet been able to repair it. A fully mechanical action must be the best for a small instrument (the H&H at Hakadal in interesting in this respect) but any large one is a complex machine and surely regardless of what action is used, is bound to need more maintenance and more frequent overhauls.
  12. The Buckinghamshire OA is visiting Saffron Walden next month so I'm looking forward to trying the instrument there. We are also going to Finchingfield where there's another 3 manual Miller.
  13. The publicity over the opening of the Paris Philharmonie made me wonder about the pipework display - it's a large new instrument by Rieger..... http://www.rieger-orgelbau.com/en/details/project/ParisPhil/
  14. The console at Whitchurch is projecting rather than "en fenetre". There is nowhere to easily hide a light, so there is an inoffensive brass one that takes a 221mm striplight. It was fitted with a clear 30W incandescent lamp which gave inadequate light and also a lot of glare from the filament. When it blew a couple of weeks ago, I tried a 60W opal replacement which was hopeless - no glare but even less light. A bit of research turned up an LED replacement on ebay: http://www.ebay.co.uk/itm/290986206495?_trksid=p2059210.m2749.l2649&var=590163268509&ssPageName=STRK%3AMEBIDX%3AIT The difference is remarkable - there's now plenty of light on the music even with the church lights off and no glare. Power consumption is 7W and if the advertised lamp life is correct, it will outlast me.
  15. The Bucks OA visited Stratford earlier in the year and we were able to try out the new organ in a rather incomplete state. It then sounded very good and filled the chapel, even without the the great mixture and reed. Mr C had taken the Pedal Cremona back to the works for adjustment as apparently it was (almost) audible in Warwick! The console is very comfortable and easy to manage although I suspect the action needed final regulation as there was a bit of a "semi-detached" feeling. The case has been beautifully restored and as mentioned above is a gem. Well done to everyone involved.
  16. A little-publicised survivor is the Swell Oboe in the new Nicholson at St John's, Boxmoor, near Hemel Hempstead, which is from the old Worcester Cathedral organ and is a very nice stop.
  17. I think the Colston Hall was the last UK Cornet de Violes - amazing how the pendulum of fashion has swung back. James Lancelot gives a demo of the remarkable one at Durham on the new Priory DVD.
  18. bam

    RFH Organ

    Bravo indeed. I got to both John Scott's and Thomas Trotter's concerts and think the organ sounds (and looks) miles better than before. The acoustic is not perfect but it's much improved, the reeds sound far better and you can really hear the pedal 32' now. The choruses are clear, but I have never been convinced that they really are that much clearer than a "traditional" British chorus and they are anything but when the reeds are added. I've never heard the Colston Hall instrument, completed a couple of years after the RFH using normal H&H scales and voicing techniques, but would be very interested to hear a "compare and contrast" of the choruses from a musician who knows both organs. Apparently the Colston Hall acoustics are superior.
  19. It's not unusual for inter-war organs to have an extra octave of treble pipes on selected stops for use with the Octave Coupler and Unison Off giving a full compass 8' stop from the 16'. St Margaret's in Durham has a variation, in that the 16' Contra Oboe does have an extra octave of treble pipes but instead of a Unison Off, there's an "Octaves Alone" which gives the same effect, and a piston for "Oboe 8" which draws the Contra Oboe and Octaves Alone. You don't often run out of notes when playing an octave up, but when you do, you do!
  20. Porritt used them - he previously worked for F&A and also used their sloping stop jambs: http://www.npor.org.uk/cgi-bin/Rsearch.cgi?Fn=Rsearch&rec_index=N00873
  21. bam

    Noel Mander

    I guess "preferred" does not mean "automatic". I don't know the reasons for the choice of action at Boxmoor but it would be a shame if the doings at Berkhamstead, just up the road, influenced the decision. Incidentally, it is good to see the old Jesus College instrument find a very appreciative new home at Truro School. http://www.bbc.co.uk/news/uk-england-cornwall-13544316
  22. bam

    Noel Mander

    Looking back, it is remarkable how many things we now take for granted that were pioneered by Noel Mander. Three that come to mind are..... - the sensitive but pragmatic approach to restoring old material, making sure that its re-use did not let down the final result - that modern, well-engineered tracker action is now the preferred choice for new organs of moderate size - the realisation that mechanical parts have a finite life and if worn out must be replaced. The mechanical reliability of the St Paul's Cathedral organ in the most trying climatic conditions is a great testament to his clear thinking in this area. His influence has changed a huge amount, for the better, and his legacy will be with us for many years to come.
  23. If you can find a copy, "Just a Box of Whistles", the memoirs of Brian Hirst, a Conacher pipe maker, is a good read.
  24. Is there any news on the fate of the previous instrument?
  25. My copy of this set arrived last week and I have just started to explore. All credit to those who did the original recordings and the re-mastering - it really is a magnificent effort. I wonder if anyone has any memories of the instruments that have gone for ever: Gloucester, Worcester (pre-72), Llandaff and St Giles? The last must be one of the shortest-lived Willis instruments and was presumably completed under very difficult circumstances in 1940. I'm intrigued by some wistful hankering for the Worcester instrument and surprised by the 1967 additions listed on the specification, which are about as far from the Classical Revival as one could imagine.
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