tiratutti

Hello, the catalogue of André Fleury says that it is published by/in Orgue et liturgie/Procure. Cheers tiratutti

Hello, am I right that your source for this two pieces is "Les Maitres contemporains de l'Orgue" Volume 8, published by Joseph Joubert at Edition Maurice Senart in 1914? Cheers tiratutti

Hello, Flor Peeters is always worth a look and I play him sometimes. For example this Advent "Wake, awake, for night is falling" op.68/5. Cheers tiratutti

Hello, you will find the Toccata giocosa in Organ Works Volume II Cheers tiratutti

Addendum: The page says that for customers outside the euro-zone the minimum order is 100€. Cheers tiratutti

Hello, Musik Edition Récit offers the score of Marsh's arrangement: Halleluja Cheers tiratutti

Hello, usedorganmusic.co.uk lists a book published by OUP for sale: Three Christmas Piece: (I) Choral Prelude on 'Unto us a boy is born' (II) Variations on 'The Coventry Carol and (III) Pastoral Dance on 'On Christmas Night'. Cheers tiratutti

Hello, transmissions from the Hauptwerk are common at Trost-pedals. Altenburg has 4 of the 12 pedal stops transmitted from the Hauptwerk, Großengottern has 4 of the 8. Cheers tiratutti

Hello Douglas, please note that St. Michel is not the cathedral of Brieuc. My spec is from a CD with Daniel Roth. Cheers tiratutti

Hello, stop list Saint-Brieuc Cathédrale Saint-Étienne Built in 1848 with III/41 by Cavaillé-Coll, rebuilt in 1872 with IV/42 by Cavaillé-Coll (the tower collapsed after struck by ligthning and damaged the organ). I. Positif de Dos Flûte harmonique 8' Bourdon 8' Salicional 8' Voix céleste 8' Prestant 4' Doublette 2' Plein Jeu V Trompette 8' Cromorne 8' Clairon 4' II. Accouplement Voix humaine 8' III. Grand Orgue Montre 16' Bourdon 16' Montre 8' Flûte harmonique 8' Bourdon 8' Viole 8' Prestant 4' Dulciana 4' Quinte 2 2/3' Doublette 2' Cornet V Fourniture IV Cymbale III Bombarde 16' Trompette 8' Basson 8' Clairon 4' IV. Récit (Swell) Flûte harmonique 8' Viole de Gambe 8' Voix céleste 8' Flûte octaviante ' Octavin 2' Trompette 8' Basson-Hautbois 8' Voix humaine 8' Pédale Flûte 16' Flûte 8' Flûte 4' Bombarde 16' Trompette 8' Clairon 4' My source does not list the couplers, sorry. Cheers tiratutti

Hello, I'm not sure if this firm still exists. Look at the business directory of Cerklje. They do not list Orglarstvo Močnik (organ builder Močnik). Cheers tiratutti

Hello, the whole recital is on Pipedreams. Enjoy. Cheers tiratutti

Hello, Wunderlich was born 1919. I'm not sure if the sound is that of the Sauer organ at Berlin Dom. Wunderlich recorded in 1989 at St. Michael, Schwäbisch Hall, Reger op. 57. The CD from Berlin Dome is from 1999 and contains op. 46, op. 59/9 and op. 127. No op. 57. Two possibilities: the attribute Berlin Dome is not correct or the recording is older than 1989. Cheers tiratutti

Hello, I play Bédard quite often. In 2004 Sophie-Véronique Cauchefer-Choplin played the Suite pour orgue at Freiburg Minster in concert. If you are searching for a final movement I suggest the Trois Postlude CH.50. Cheers tiratutti

Hello, my search gives Sonatas 3 to 6 published by Banks (No. 13962, 13995, 14043, 14047). One Sonata by OUP as listed in the catalogue of Roger Molyneux. Cheers tiratutti

Hello, Schott Edition ED 9726 contains the complete organ works. The content is # Christum wir sollen loben schon # Grates nunc omnes reddamus # Herr Gott, dich loben wir # Magnificat germanice # Vater unser im Himmelreich # Von allen Menschen abgewandt # Was kann uns kommen an für Not # Praeambula in C, d, F Bärenreiter BA 5496 with the seven choral works only is in reprint. Cheers tiratutti

Hello, I use the Schott edition. It follows strictly the original edition published in 1883 and only a few misprints were corrected. Preface in German and English. In my opinion the best edition of the work. And it is cheap (8 €). Cheers tiratutti

Hello, do you know the following site? If not it could be worth to look at for selecting some impressive dutch organ cases. http://www.orgelsite.nl/ Cheers tiratutti

Hello, my sources say that it was originally published in 1954 by Harris Oakville/Ontario and that there was a reissue by Randall M. Eagan in 1979. Original title: Three pieces (Prelude and fugue in g-minor, Tema ostinato, Festival). Unfortunately I don't know if Randall M. Eagan has a website. Anybody knows? I'm also interested. Cheers tiratutti

Hello, Fentone Music published the piece in 1987, arranged by Bryan Hesford, F370. Cheers tiratutti

Hello Pierre, I don't like to have to correct you, but you stress this point to an extent which allows no fault. The only almost-Trost organ we have are Großengottern, Waltershausen, Altenburg. The one with a pedal-transmitted mixture from the Hauptwerk is Waltershausen. The organ in Großengottern has no pedal transmission and no pedal mixture, the organ in Altenburg also not. Großengottern has one mixture per manual. The organ in Altenburg has one mixture per manual. Waltershausen has one at the Hauptwerk and one at the Brustwerk. The Obermanual has no mixture. And no sesquialter. And no third. What is your conclusion: that Trost has not built Waltershausen? Please, don't think I am against thirds in mixtures. But your point is that they have to be in middle germany. And that is not provable. Cheers tiratutti

Hello, only one reply from me. My native language is German. So I never post only in German, because this would be impolite (unhöflich) on an english board. I go with pcnd5584 that only posting the german text is not helpful. The text from Felix Friedrich is not clear. In the first phrase he says, that the mixtures are used economically and sparse(!) The next phrase is not clear, because of the word "Werk". Does it mean every manual or does it mean the whole organ? It translates to "Without exception every 'Werk' has only one mixtur (with third)". Also not clear is the brace (with third). Does the brace means the third is optional? Or is it a reminder (Don't forget, it has a third)? The next is also not a real argument for the third in mixtures, because he says: "On the contrary in all instruments there are many thirds as sesquialter or as part of a mixture." So he says the third was in a mixture or (!) in a sesquialter. So we can conclude, that there where mixtures without third, built by Trost! My conclusion (and Pierre, don't forget, German, native language, ok): in middle germany, the third-mixtures existed, but also the mixtures without thirds. Cheers tiratutti

Hello, the UE-Edition says: Fragment of a piano suite (Overture, Allemande, Courante, Sarabande). Conclusion (bars 80-86) and organ adaption of the Grave by Martin Haselböck. Organ version of the fugue based on contemporary MS. copies and on the first printed organ version in M. Berra's "Museum für Orgelspieler", III, p. 76. Composed: 1782 in Vienna Cheers tiratutti

Hello, congregational singing? Wolfgang Seifen at Himmerod Abbey! Cheers tiratutti

Hello, only in case you are planning a visit: please travel to Freiberg. Cheers tiratutti