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contraviolone

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About contraviolone

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  1. The West End diapason chorus does not work all that well. It comes across as being rather disembodied and vague. You know there is something going on when being used but the overall effect is indistinct. If memory serves it is placed south side of the nave gallery, this in itself doesn't really help either. The solution of course is a large West End organ on a gallery speaking directly down the nave, but that isn't going to happen. The Royal Trumpets are rarely used. The effect in the Dome is of course much better, if a little one sided. All the Dome section is squeezed into the NE Dome g
  2. Indeed. The ongoing conundrum of balancing the needs of a strong choral tradition in the quire and the wider needs within large cathedral spaces. Perhaps the French have the best idea. https://www.youtube.com/watch?v=913NA4Axyiw
  3. It goes without saying the location of the pipework is not ideal, placed as it is either side of the chancel high up in the triforia. This of course was the same before, but despite the drawbacks of the instrument in its previous specification, a degree of balance could be achieved if a careful choice of registration was used to support the choir. Of what I have heard so far the effect of the new instrument is certainly quite powerful. It illustrates the characteristic bold voicing of the principal chorus which again will need careful handling. I'm not sure why Harrisons have gone down t
  4. I remain a bit unconvinced with regard to the work at Canterbury.
  5. I do wonder why the Ophicleide has been voiced so boldy on this division, plus the fact that it's on 20 inches wind pressure? Seems totally over the top to me. Here it is demonstrated at 5:30 here: https://www.youtube.com/watch?v=bQzhUhsk1cQ I hope the new organ is more sympathetic to the singers than it was with the instrument pre-restoration. The Quire at Canterbury is not the best location for singing, everything is mopped up by the heavy stonework of the Quire and screen. But the old organ was the most frustrating experience to sing with, immense sympathy was required to achieve
  6. I think you may find the French Bourdon stops (16' and 8') are generally made of metal. In English and American organs the Bourdon stop is generally confined to 16' pitch on the Pedal, and made of wood.
  7. I believe (although I may well be wrong) that the contract for this was lost some time ago. From this youtube video it may be assumed the current Custodian of the organ tunes the instrument: https://www.youtube.com/watch?v=H4iUnBnNJxs What alarms me is the significant amounts of dirt and dust on the pipework. What on earth are they thinking?
  8. The word 'incredible' becomes much more attractive, even acceptable, compared to the American phenomenon of plastering anything good or even exciting as 'awesome'. Add the American accent, and it's enough to drive anyone mad!
  9. Certainly enhanced by no audience, no coughing and hacking and no bodies to absorb the sound.
  10. I'm not sure if it all really works. I would like to hear the organ in person.
  11. And I was led to believe (I forget the source) that it was 38 ranks but only 35 ranks. Remarkable really how much may be obtained from such a modest number of ranks.
  12. Yes there is a youtube video showing the work being done to the Compton illuminating press buttons: https://www.youtube.com/watch?v=3Q9vpEW0vsE The Hull Minster organ of course has the same Compton illuminations. I'm sure visiting organists must find these consoles both novel and perhaps a bit of fun?
  13. It would certainly be a very large and impressive school chapel! Looking at the organ details on NPOR, the stop list does look impressive, being a very good example of the Compton expertise of borrowings and extensions. A modest 38 ranks becomes an instrument of 142 ranks! Interestingly NPOR does not indicate where the borrowings etc are derived. Of course quite a few borrowings/extensions are obvious by deduction, nonetheless I am very surprised the derivations are not annotated? https://www.npor.org.uk/NPORView.html?RI=N05561 Would be interested to hear from members who have p
  14. I suppose we should be asking what will happen to the church itself? Will it become redundant or revert to a fully functioning church within the RC diocese?
  15. I agree, an extension of the 16' Bombarde in the Cavaille Coll style would be the best way forward and I'm sure would be superb. I'm sure Nicholson's would have the expertise to do this. As it is, the proposed new specification looks very interesting and I'm sure the end result will be splendid.
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