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innate

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About innate

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  1. innate

    York Minster

    I was being sarcastic. I am a serial offender too. My Music History tutor criticised me for my “butterfly brain” and nothing has changed in 40 years since.
  2. innate

    York Minster

    Where’s the discussion policeman when we need him! Blimey, I thought Usenet was bad in the old days.
  3. innate

    New Organ on the Mander Website

    I was very interested in the thoughts behind deciding on a 1-manual instrument. There is indeed a huge repertoire that would be playable on this instrument, especially with the low G and A.
  4. innate

    Easy Organ Pieces & leading a congregation?

    “E major is much more attractive than F”—at the risk of opening a can of worms <sound effect> this is debatable. Bach’s Italian Concerto, most of Brandenburg Concerto No. 1, Beethoven’s Pastoral Symphony, his string quartet Op. 59 No.1 and his “Spring” sonata for piano and violin, much of Handel’s “Water Music” and Messiah, Brahms’s 3rd Symphony, Dvorak’s “American” string quartet, the second movement of Messiaen’s “L’Ascension”, and a host of other pieces would, I suggest, prove the opposite. There is nothing intrinsic about E or F, particularly in 12-tone equal temperament, which is what most organs are generally tuned to.
  5. innate

    St John’s, Smith Square

    I can’t link to the story, it’s behind a paywall, but there’s an article in today’s Times by Richard Morrison that says that because of a massive deficit St John’s, Smith Square is likely to close next year as a concert venue, 50 years after it opened. I know the Klais organ is generally felt to be over-loud and too large for the space but it would be a double tragedy if such an instrument could not be found a new home.
  6. As long as the organ is close to 440Hz at 18ºC you should be ok for tuning. Competent trumpeters should be used to playing with organ.
  7. innate

    Sheffield

    There are headphones by the console in Windsor. I’ve always been too scared to use them but it generally takes me at least one service there to play far enough ahead of what I can hear for the conductor to stop nagging!
  8. innate

    Beginner Organist Tip

    I agree with what’s already been said. If you want to stretch yourself try playing hymns as four part pieces. The basic way is soprano in the right hand, alto and tenor in the left, and bass in the pedals. Once you’re secure on that start mixing it up. Soprano in the pedal, bass and tenor in the LH, alto in the RH. Etc. One common fault in organists is a weak sense of rhythm. Take any chance you can of playing in situations where it’s vital that you keep good time. Don’t just play the organ, play piano in theatre shows, play percussion in orchestras. And sing. Even if you have no training as a singer sing in choirs, choral societies, barbershop quartets, Gilbert & Sullivan choruses. Best of luck!
  9. innate

    Clairons/Clarions breaking back

    I must confess that I’m very keen on a 4' Clarion (or Clairon). Not so keen on Clarion Tubas. There seems to be a bit of a trend at the moment for no manual 4' reeds on even quite sizeable 3 manual instruments, eg the one in St George’s Hanover Square. http://www.npor.org.uk/NPORView.html?RI=E02004
  10. innate

    Eighteenth century English voluntaries: filling in harmonies

    I’m no expert but I was under the impression that most treatises on continuo realisation on keyboard instruments generally indicate that the left hand plays the bass and the right hand “fills in” the harmony. If the right hand is busy playing a cornet or corno or flute obbligato then any harmony notes can only be added by the left hand, which would seem to me to mean that it is not going to be continuous added notes but merely, as Vox Humana says above, occasional left-hand octaves and left-hand chords.
  11. I’m in sympathy with your concerns. Three tierces, separate or in Cornets, would be useful, if only for that movement in Les Corps Glorieux.
  12. innate

    Celestes

    Maybe there are other “pure” intervals that could be used to similar effect.
  13. innate

    Celestes

    This sounds like a beautifully “pure” and musical approach! Thanks for your explanation, Friedrich—I suspect many will have been enlightened by it.
  14. innate

    Celestes

    If the two ranks are of identical design, construction, winding and voicing how can there be any difference if no other stops are being used to give a sense of the pitch of the instrument?
  15. innate

    Beauvais Cathedral

    I’m hoping it was an unintentional auto-correct.
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