As a friend of Nathan Laube, I would like to write one final time on this matter.
I agree with Nigel that I couldn't care less if a musician plays from the score or not, to come to a point where the score in not required is however standard for top grade performers on most other instruments in recital or concert. In the case of students from Curtis Institute (where Nathan studied) it is also standard teaching to learn to play the organ from memory. What I personally find miraculous is the massive number of registration changes which are also accomplished from memory, and in Nathan's case using generals, divisionals, and stepper/sequencers - usually finding the most convenient button or toe stud for that particular moment in the piece. Even more astounding when only 15 hours may have been spent in preparation.
For the non organist audience it does seem rather odd not to be able to see a performer, when they are up in a loft such as Truro or Exeter, and I think big screens have played a good part in attracting extra people back to organ recitals once they have seen such a big screen. Nathan has also commented to me that he prefers to be in close contact with an audience rather than tucked miles away, so a screen is a poor second best in this respect to a mobile or nave console where the audience are physically close. All Souls Langham Place with it's handsome Harrison & Harrison console right at the front of the platform is ideal in this respect.
To go back to the point at which I came in - The Reubke performance, all I would say is that the Youtube video is now 16 months old, and was recorded when Nathan was 20 years old. I am pretty sure he would say he prefers to play the work differently now, and I can honestly say that his Reubke performances this summer in the UK (he played it at Exeter Cathedral, Gt Torrington Church and All Souls, Langham Place) were amongst the best I have heard, in my 30 odd years of hearing recitals, and I was present at the re-opening recital at All Souls Langham Place in 1976 when George Thalben-Ball played it, and I remember being an amazed teenager! Nathan's 2010 UK performances were all different as one might expect, and took into the account the acoustic, as well as other important factors. They were recorded on Video, but it will be Nathan's decision alone if any of them reach Youtube!!
It was interesting for me to hear some of the same works he played in 2009 played again this year. Again they have bloomed, with a much enhanced level of artistry and musicianship.This maturing process in his playing is a very natural one and will continue for many years - he is now studying in France with some of the very best this world has to offer.
He will be returning in November this year to play one of the re-opening recitals at St Michael's Cornhill, London, and there are several recitals already in the pipeline for next year. I would urge everyone who has been interested by this thread to go and hear a LIVE Nathan performance.
Best wishes to all,
Paul Goodman