Jump to content
Mander Organ Builders Forum

Bevington

Members
  • Content Count

    87
  • Joined

  • Last visited

Everything posted by Bevington

  1. Hi David - Isee you have my old job! Best wishes for your future there.

    John Rivers Wangaratta

  2. Three Royal Fanfares and Interludes - Bliss ar Ramsey pub Novello - also available through Allegro Music www.allegro.co.uk
  3. Slightly returning to the topic perhaps, how do others see the situation where there are three 8' Great diapasons but only one 4' principal? I have no assistant organist, but our newish asst priest plays the organ and does occasional hymns and postludes. Recently I came across him practising a Bach Prelude and Fugue, using a diapason chorus (8, 4, 2, Mix) but based only on the open no 3. Breaking into a cold sweat I hurried out of the building for a strong drink and a breath of fresh air after this damage to my ears. Later, when no-one was around (!) I experimented with this apparent flimsy i
  4. I think Venning makes an interesting point; My 1922 Willis has three Great OD's. A few years ago, a concert organist - and yes, playing Bach - was frustrated with the balance of the Great diapason chorus, which he had based on the Open II alone. Eventually he said "well perhaps I should play this organ the way it is meant to be played". On went the big OD I and the chorus was suddenly full and ringing. It seems to support the mixture better - which has a third/sesquialtera rank in it (or a bee fart mixture as a rude baroque enthusiast describes them) better than the thinner II and III.
  5. Bevington

    Howlers

    Also some many years ago now, the Anglican cathedral in Melbourne had 'Sons of the Nuns of Chester' listed as a processional, instead of 'Song', not to mention a previous organist who surely deliberately chose Canticles by Brewer for an AA service.
  6. From a downunders point of view, why DO the English seem to seek so many 'European' instruments (being politically correct there)? In Australia we have few really good builders and enjoy UK offcasts - I have a 1922, 3 manual Willis and an 1845 single manual Bevington in my church - incidentally installed by UK builders. Beautiful and much admired instruments. Some UK (church organ) specifications - gleaned from magazines and the like - seem to be far removed from being good for much more than providing for performance of a limited repertoire. And then - and we are getting this here now too -
  7. One can become so stuck with exam guidelines and text books that the obvious is not apparent until someone else makes a suggestion: with piles of music around the place it makes perfect sense to use everything in sight for transposition, sight-reading, score reading etc. The advice not to play anything in its orginal key can provide interesting moments! I have managed to alarm some vocal students by changing the key of every song in a lesson - "good for us both" I said! I usually tell my choir if an unaccompanied setting or anthem is to be done in a different key, but just recently at rehearsa
  8. Well I must thank you all very much for such wide ranging and useful advice and ideas. Like many organists, transposition and score reading occur in various ways as a regular part of the weekly round, but it fascinates me that sitting down with a book of exercises seems to awaken a subconscious anxiety of getting it wrong, compared with the perhaps more straightforward stuff that is dealt with for rehearsals and services. Perhaps it is the memory and familiarity giving false confidence? I am downgrading my postludes for a couple of months into the 'easy to revise/learn' category to allow more
  9. Thanks Peter, and for such a quick reply! I have briefly checked the suggested sites and there is certainly stuff that is of use. I am indeed working for an exam: did a music degree 20+ years ago, but various skills need considerable revising to reach exam standard. It's funny how one can comfortably score read in a choir rehearsal, or transpose, but to sit and test yourself with an exam style exercise creates such different expectations. Also, as I mentioned, I am the only organist in a rural town of 18 000, the nearest capital city being three hours away, so one really has to be self motiva
  10. I wonder if anyone can suggest, please, whether there are any websites with free downloadable transposition exercises for organists? I have gone through my Sumsion, Wilkinson, Lang, Hunt (etc) books and have started them over again. Hymnbooks tend to have too much that is familiar for a church organist. I need fresh material, although I suppose Bach chorales would provide some challenges! There is no real music shop in the town where I live - in fact in a town of 18 000 I am the only organist and have the only church choir . . . but where I am organist I can at least enjoy practising on either
×
×
  • Create New...