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MusoMusing

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  1. Found it! Follow this link, and it should take you straight to the patent:- https://worldwide.espacenet.com/patent/search/family/010053866/publication/GB382907A?q=GB382907A MM
  2. I've never seen one, but apparently there was an example somewhere near Luton which is sadly no more. Basically, there was a little "trolley" which moved up and down on the pipe, operated by a pneumatic motor. There is, I believe, a patent which shows how it worked. I shall be back when I've found it. MM
  3. That sounds like a slightly primitive idea, but better than missing notes! Compton bi-phonics are always (so far as I am aware) stopped pipes, and they have a valve which opens and increases the speaking length of the pipe, using a tube which drops down from the valve aperture. The cleverest one I came across, was a Bourdon which used to same pipe in two different pressures, to give pp and mf. Cleverly, the top lip was moveable, and operated by pneumatics to effectively increase or decrease the cut-up. Clever stuff! MM
  4. I'm fairly sure that John Compton didn't experiment with bi-phonic Diaphones; his usual domain being stopped wooden flue pipes or cube basses etc. He was, however, the absolute master of controlling Diaphones and getting them to speak evenly and bautifully. He wrote an extremely comprehensive article about them which I included in the Compton book, because it is the most revealing insight about his tonal genius and his command of the subject. There are quite a few remaining examples of his Diaphones, and although these brutes are capable of immense power, they can also be tamed to give
  5. Having immersed myself in all things Polyphonic while compiling the Compton Organs book, I was very surprised by this. It's the sort of thing Compton would have delighted in, but I had no idea that Wurlitzer went down the polyphoning route. Of course, Robert Hope-Jones did all sorts of things with Diaphones, including variable wind-pressures for ff and mf sound levels, but not even he ever made Polyphonic versions so far as I am aware. Is this a one-off example, or were there others?
  6. Like all things, there are exceptions. I cringe to think what the 32ft pure Cornish tin facade at the Bavokerk, Haarlem might cost to-day!
  7. Thank you, but I'm not sure that I know what you have in mind. The last thing I would want to do is to use the Mander Forum as an advertising medium. There is a further problem, in that I only got 50 CD's duplicated and 20 have gone already. My longer term hope, is that someone could take it on board and use it for fundraising; especially those closest to the preservation of Compton organs. The reason for this is simple, because I am not claiming the story as entirely my own. I may have written the facts into a story, but quite a few people in the Compton Study Group have contributed i
  8. Ah! That makes sense. The Devonshire Street Congregational Chapel was possibly the first one to close and relocate to smaller premises. I never actually went in there or heard much about the organ, though someone once suggested that it was the best organ in town.. The other loss was the fine Forster & Andrews at Temple Street Methodist Chapel. which hosted all the big choral events. In fact, there are probably only a handful of organs left these days, of which one is exceptional and another quite a fine instrument by Brindley's.
  9. I'm afraid that I cannot offer any evidence whatsoever, but there were a few Harrison organs in Keighley and surrounding area. The one I played was the largest of them, at Holy Trinity church, and that certainly DID have a Vox Humana, added sometime after the turn of the 19th/20th century when the organ gained its extra manual. I don't recall that it was a very good example, but it also had a Clarinet and Orchestral Oboe. In fact, the "Choir" was more like a small Solo division. The only other one that comes to mind, was the organ of Oakworth Methodist Church, which closed. At some point af
  10. I understand and accept the wider point, but I can be such a pedant. The realisation struck me, after writing about all this, that it was the reformation which allowed the organ to flourish and prosper in places like Germany and the Netherlands, but at the same time, it held back English developments for quite some time. We can go in search of "ye olde British organ" and not find a terrible lot, until Father Smith came along. No wonder we didn't really develop a terribly significant era of organs and organ music until the 19th century. Doesn't that tell us something about the nature of t
  11. I took this from Wikipedia. It seems that the Sultan's organ was a mechanical clock thingy, and Thomas Dallam had a hand in it. It doesn't look as if the Emperor Suleiman was involved, but then, my history of the Ottoman Empire is probably sub-O-level . ============== In 1599, the fourth year of Mehmed III's reign, Queen Elizabeth I sent a convoy of gifts to the Ottoman court. These gifts were originally intended for the sultan's predecessor, Murad III, who had died before they had arrived. Included in these gifts was a large jewel-studded clockwork organ that was assembled on the slope o
  12. Did the church spawn the instrument? I think not! Just like the "populist church" of today, the early Christians rejected culture and anything to do with it. My understanding is, that the organ left the former Roman Empire, and ended up in the Muslim world. Wasn't an organ installed in the palace of the Emperor Suliman? For whatever reason, it then came back west, and formed the basis of early church music; though in quite a subdued way, and often little more than a positive organ. Things didn't really get going until the reformation, and even then, the puritans managed to destroy
  13. I checked York Minster. They're from the original Eliot & Hill organ of 1832!
  14. Where there was sufficient height and space, Harrison certainly did install 32ft flues. The organ at Halifax PC has a full length 32ft wood open, but some of the pipes are stacked horizontally right at the back of the organ. I would also mention York Minster, though I haven't checked to see whether it was Hill or Harrison who provided TWO 32ft pedal flues; one metal and the other wood. As regards cost, I would have thought that metal pipes are cheaper to manufacture than wooden ones; especially zinc ones. Compton probably had the right idea.......Diaphones! They stand about 10ft
  15. Oh dear! Well, it's a very good bit of spoof comedy writing.
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