Yes, that was one of my points. We can't, and shouldn't, rely on the "organ public" any more. They are notoriously fickle in their taste (you know the sort: Bach is rubbish, and Reger is worse, give me Lefébure-Wely any day).
But, just how we attract the mainstream musical public and other new listeners to the organ is a recurring topic.
And, before I jet off to warmer climes for a few weeks, does the ever increasing number of CDs DVDs and YouTube videos maintain an interested audience, or does it stop them coming to experience the live thing?
If you are