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Jeremy Jones

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About Jeremy Jones

  • Rank
    Advanced Member
  • Birthday 31/08/1969

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  • Location
    London, UK
  • Interests
    Listening to the organ live and on CD, travelling by train, attending orchestral and choral concerts, reading good books, selling CDs I simply never listen to on eBay, and, of course, using the Mander forum.
  1. Well volume would not be a problem for me as my landlady is exceedingly deaf, as confirmed by the fact that even though I sometimes playback organ CDs at floor shaking levels, she is always saying what a quiet person I am and that she never knows when I am in or out! However, a distinct lack of floor space would mean a house organ would have to be constructed along the lines of those employed at Philadelphia's Girard Chapel, i.e. suspended from the ceiling, which given the weight bearing issue, could be a problem!
  2. Amen to that! The 32ft reed still doesn't roar like it does 'in the flesh' but it's a good representation of that organs individual sound world.
  3. It's a monster! Presumably, given the size of the chapel, a veritable smorgasbord of tone colours was the aim, rather than sheer volume of sound. Even so, full organ with three 32ft stops on the instrument and a full battery of Trombas on the Great, must have been quite a foundation shaking experience. The only mention of it I could find on Google concerned the Swell 4ft flute which went to St George's Cathedral, Cape Town: "Yet another interesting addition took place in 1975 when the swell 4 flute was bought from Trinity College, Cambridge, when the Harrison and Harrison organ was re
  4. A quiet day at the office, and with my fantasy football team in dire straits, it's fantasy spec time here
  5. Back to Canterbury ..... I came across this scheme here that at least echos in part what is proposed for Canterbury.
  6. What seems to be getting lost here is that Canterbury wants to recruit just one organ-builder to provide a new 4M Nave organ and rebuild the existing 3M Choir organ as a 4M with added casework. This is a huge undertaking and there are only a small number of organ-builders with a big enough workforce that could in all probability take on such a project: Harrisons, Manders, Klais, Rieger and Letourneau.
  7. John Scott Whiteley is playing at Canterbury this Saturday. Anyone know what the programme is?
  8. An article by Ruth Gledhill in todays' Times newspaper says Canterbury Cathedral needs £50m to rescue its crumbling infrastructure, including £4m for organ refurbishment. Clearly there must be more organ tucked away up in the triforium than previously thought! Anyway, I checked out the cathedral's shiny new website here where it says that "an instrument of unusual flexibility and size is required to provide thrilling music to accompany services and other events". Confusingly, it states that £4m is needed for organ replacement , as part of the overall conservation bill, but then furthe
  9. Ian Hare should be added to the list of Kings Organ Scholars. Ian went up to Kings in 1968 and has held posts at Cartmel Priory and Carlisle Cathedral. He is currently Director of Music at Crosthwaite Church, Keswick. More details about Ian can be found here.
  10. Putting the King's list together involved a bit of Googling and Benjamin Bayl's name did crop up in connection with recitals etc in Sydney, so you are probably right. I agree with Vox that the lists for St John's Cambridge and Christchurch Oxford contain just as illustrious a group of organists - by the way I think you can add Jonathan Vaughn, now at St Edmundsbury Cathedral, to the St John's list. Post Oxbridge organ scholarship, it is interesting how the holders of the Sub-Organist posts at both Winchester Cathedral and Westminster Abbey have proved to be the pre-curser of either bec
  11. I have a liking for compiling lists, and over the weekend, at a loose end, I put together a list of the King's College Cambridge Organ Scholars over the past 30-40 years. With a few exceptiops, where your response may well be to ask: "Where are they now?", it really does read as a veritable Who's Who of the organ world in the UK, and is a remarkable testament to the consistent quality of organists that Stephen Cleobury and before him Philip Ledger and David Willcocks have produced out of the King's conveyor belt. Oliver Brett Tom Winpenny Ashley Grote Benjamin Bayl Thomas Williamson
  12. No one has so far mentioned the the fine Arthur Harrison organ in the Caird Hall in Dundee which, I believe, was built in collaboration with the blind organist/composer Alfred Hollins. I know what has been said about judging an instrument purely on the basis of hearing a recording (Chris Nickol on Priory), but even so this does sound like a fine instrument. I believe they are putting on a handful of summer recitals during August and September and that a new CD has recently been made there by Delphian Records featuring Tim Wyram-Bigfield playing music by Hollins.
  13. I've got the Priory CD of Adrian Lucas playing the Portsmouth organ, and it sounds a fine instrument. Bonnet's Variations de Concert on the CD comes across magnificently - I really must get down to Pompey one of these days. It must be an optical illusion but the old organ case looks from a distance on the CD cover like the face of a monkey with its eyes shut.
  14. I seem to recall reading somewhere that the Adlington Hall organ sits on a gallery supported by two oak trees which pre-date the Hall and still have their roots in the ground. Does anyone know if this is true, and if so, whether this arrangement is unique to Adlington? Jeremy Jones
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