Search the Community
Showing results for tags 'EXAMINERS'.
Found 1 result
Hello all… I have a query regarding the RCO exams and Baroque performance. As most people are aware, one of the pieces you pick has to be by Bach – Baroque. There is also a whole list of other Early Music works to pick from the Renaissance to the Baroque Now in my eyes, there are two ways of playing Early Music This way is stylistically accurate and utilises traditional Early fingering and pedalling indication, traditional Early Music registrations, and traditional phrasing and articulation. To pull off the performance, the student has maybe played authentic instruments of the period found in Europe, and done extensive research into Historical performance – Think, Gustav Leonhardt and Ton Koopman This is, from what I have heard, the typical British way of performing Early works, performed by a large number but not all British organists. The Student has not played historical instruments and has only had experience of playing British organs such as Willis/Mander. The performance, though note perfect, lacks musicality and shows little understanding of Historical performance. Little research has been done in historical performance and the piece is often played in the same way most people play it without ‘thinking outside the box’ and thinking ‘how would it have been played in 1500’ Now, which was is best? The RCO has a mix of examiners who are experienced in a mix of fields though from experience, a lot of them appear to be traditional cathedral organists who are well versed in the British Church Music tradition. Would they rather you play it like option 1 or option 2? Can anybody from experience, tell me which is preferred? If you want to know why this question concerns me, then answer it and I will reveal more!! Thanks