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  1. Some years ago I arranged in advance to play the instruments of Norden, Neuenfelde, Meldorf, and Stralsund, and visited a couple of others ad hoc. It cured me of organ crawling—nothing else would ever match up. This, and experience over the years, raised a question. I doubt that there was much in the way of central heating when Schnitger, Stellwagen and the like were plying their trade, and the large brick barns of the Baltic coast can’t ever have been warm. I have the impression that organs sound their best in the cold. Am I deluded? Of course, the paraphernalia of comfort like carpets a
  2. Since hearing of the Mander organ at Cranleigh School having been built in Kellner temperament I've had strong admiration for Mander's work in bringing forward alternatives to equal temperament. It's really sad that Cranleigh had to be returned to Equal Temperament but I'm wondering how many instruments have been built by Mander in Kellner or other temperaments and the tuning has survived to be available to be heard? How many people play organs not in Equal Temperament? Of those who regularly play in Kellner on the organ how universal is it as a tuning for the whole repertoire? Is th
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