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  1. Some years ago I arranged in advance to play the instruments of Norden, Neuenfelde, Meldorf, and Stralsund, and visited a couple of others ad hoc. It cured me of organ crawling—nothing else would ever match up. This, and experience over the years, raised a question. I doubt that there was much in the way of central heating when Schnitger, Stellwagen and the like were plying their trade, and the large brick barns of the Baltic coast can’t ever have been warm. I have the impression that organs sound their best in the cold. Am I deluded? Of course, the paraphernalia of comfort like carpets and soft furnishings affect acoustics, so maybe it’s just this, but nevertheless I ask the question: does temperature affect our perception of sound? (I’m not talking of tuning). Do organs sound better in freezing churches? My other observation may already have been discussed on this board, but FWIW I was bowled over by just how exciting Buxtehude, Bruhns and Tunder were on the unequal temperament organs. Astonishing. Equal temperament does not do them justice. There is no doubt in my mind about that.
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