Pierre Lauwers Posted January 10, 2008 Posted January 10, 2008 http://www.rkorgans.com/download_de.html Pierre
Alistair McEwan Posted January 10, 2008 Posted January 10, 2008 http://www.rkorgans.com/download_de.htmlPierre My word, who's a lucky trucker!! A
Vox Humana Posted January 10, 2008 Posted January 10, 2008 I'm puzzled by the stop-jamb photograph at the foot of the page. Can someone please explain why the stop numbers are engraved so much larger than the names or footages?
MusingMuso Posted January 11, 2008 Posted January 11, 2008 http://www.rkorgans.com/download_de.htmlPierre ================== Thanks Pierre. I'm not quite sure what Rieger-Kloss are up to these days, or even what keeps them afloat, but during the commi years, they were certainly kept very busy. I know that they're also making quality guitars these days. Like many well-established companies from the region, I suspect that privatisation and self-sufficiency has taken its toll and created a number of headaches. What an opus list however! MM
MusingMuso Posted January 11, 2008 Posted January 11, 2008 My word, who's a lucky trucker!! A ======================= It's just a bit of a part-time larff mate. I could well imagine Nigel Kennedy doing much the same thing. Completely off-topic, but I bet you didn't know that a truck full of prawns is worth more than a medium-size organ, and that if you filled one with boxes of disposable razor-blades, it would cost less to drive the organ at the Albert Hall and crash that? MM
Vox Humana Posted January 11, 2008 Posted January 11, 2008 if you filled one with boxes of disposable razor-blades, it would cost less to drive the organ at the Albert Hall and crash that? I'd feel a bit cut up about it either way.
Pierre Lauwers Posted January 11, 2008 Author Posted January 11, 2008 Rieger-Kloss goes very well. When the firm was privatised, a "management buy-out" happened, that is, the firm was taken over by its employees and managers. They work mainly in Asia and the United States, the big markets of today. Pierre
Alistair McEwan Posted January 11, 2008 Posted January 11, 2008 ======================= It's just a bit of a part-time larff mate. I could well imagine Nigel Kennedy doing much the same thing. Completely off-topic, but I bet you didn't know that a truck full of prawns is worth more than a medium-size organ, and that if you filled one with boxes of disposable razor-blades, it would cost less to drive the organ at the Albert Hall and crash that? MM Excellent reply - informative as ever. Keep up the good work. Alistair (Fellow Bryan Rodwell admirer)
Classic car man Posted January 11, 2008 Posted January 11, 2008 I'm puzzled by the stop-jamb photograph at the foot of the page. Can someone please explain why the stop numbers are engraved so much larger than the names or footages? Although numbers are usually used to save time when writing registration details in a copy, 69 is a lot quicker to write than Solo Tuba Clarion for instance, I can't think why they are so large. If there wasn't a decent capture system and there were lots of visiting recitalists one could almost see why, but there seems to be a comprehensive capture system. I don't think much to the stop layout - whatever happened to stops ascending in pitch, with the loudest of each pitch being at the bottom? I wonder what the blank stops do?
Pierre Lauwers Posted January 11, 2008 Author Posted January 11, 2008 "69 is a lot quicker to write" (Quote) (belgian humor ON)....And above all to MAKE (belgian humor off) :lol: Pierre
Recommended Posts
Please sign in to comment
You will be able to leave a comment after signing in
Sign In Now