Peter Clark Posted January 16, 2009 Share Posted January 16, 2009 Although seemingly straighforward, this comparatively short fugue is packed with delightful things, not least the wonderful stretto near the end. My problem, ladies and gentlemen, is how many, if at all, registration changes should be made, and where. The semiquaver passage at the end of page 1 (I use Novello for this) seems to require something a little lighter than the opening. But I am concerned as to the "authenticity" of this. In the passage that follows, a "duet" between LH and pedals, should the registration be as at first, leading to the wonderful re-introduction of the opening subject in the RH? That's just for starters. Any thoughts on this would be welcome. (I first learnt it on a 2-manual Walker extension but now I have something a little bigger to play with I don't want to register just for the sake of it - I think it sounds quite effective played staight through on the same registration.) Toodle-pip Peter Link to comment Share on other sites More sharing options...
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