MusingMuso Posted November 25, 2005 Share Posted November 25, 2005 I came across an interesting fact some time ago, and have wondered ever since if anyone is aware of Bach re-arrangements contemporary to Bach himself, by the Czech composer Seger. Apparently, some of the big works were re-arranged to suit short-octave pedal boards and presumably, would require some re-working of the manual notes also. As I understand it, some of the old Czech pedal-boards consisted of the following notes:- C (pedal) F (in the place of D pedal) D (where F# would normally be) G (in normal position) E (where G# would normally be) A (in normal position) then A#, B, C, C#,D,D#,E, F, F#,G, G# and finally A. Other pedal-boards of the period apparently had some sort of short-octave pedal, but were fitted with chromatic "buttons" rather than toe-pedals. It's all a bit confusing, and my knowledge of old-pedal-boards and short-octaves is a bit....actually quite a lot....limited. Two questions arise from this. a) Has anyone ever dabbled with short-octave pedal-boards? Has anyone ever come across the Seger re-arrangements, or know if they are published? I know it's a bit of a long-shot to expect anyone to know in detail, but I have really struggled to find what must be fascinating re-workings of Bach's organ-works. It's also interesting to think that Bach's music was played, in his own time, in Czechoslovakia. MM Link to comment Share on other sites More sharing options...
MusingMuso Posted November 25, 2005 Author Share Posted November 25, 2005 Just a brief footnote to the music of Josef Seger, Czechoslovakia. He was born in 1716, which means that he was not playing Bach's music as a contemporary, but actually continuing the baroque tradition well into the next era; the baroque style a late finisher in Czech musical history. MM Link to comment Share on other sites More sharing options...
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