Ronald Bayfield Posted May 15, 2018 Share Posted May 15, 2018 The most difficult bit is surely that sustained A in the left hand while the remaining fingers play a series of sixteenths. It starts OK but after a few bars you need to stretch a ninth. I find the easiest way is to use the left thumb in succession for GAG GBG etc. My question is: Vierne was quite a little man and probably have small hands. How did he play it? Link to comment Share on other sites More sharing options...
Jonathan Dods Posted May 15, 2018 Share Posted May 15, 2018 Another possible work around depending on the organ is to play the held A in the pedals as well as the written pedal line. Possibly controversial but playing two naturals with the thumb wasn't possible on a heavy tracker action for me. Link to comment Share on other sites More sharing options...
Ageing Muso Posted May 15, 2018 Share Posted May 15, 2018 Being about to play it on Wednesday lunchtime on a fairly heavy tracker action, I can't help wondering (regardless of Barker levers), whether even Vierne might have succumbed to temptations of the Notre Dame acoustic and not held all the As? Heresy, I know.... Alternatively, there's this unlikely kind of solution (at around 1 minute in) https://www.youtube.com/watch?v=93JiXloIhn4 and, (off-topic, sorry!), best wishes from Tim to Ron who I assume is he who often covered my absences from Brighthelm Church around 1996-2005. Link to comment Share on other sites More sharing options...
Christine Jose Rigby Posted May 15, 2018 Share Posted May 15, 2018 9 hours ago, Ronald Bayfield said: Vierne was quite a little man and probably have small hands. By no means a reply, Ron - but maybe this will be of interest - http://parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/mains-de-l-organiste-louis-vierne-jouant-sur-un-orgue-a-cinq-claviers Link to comment Share on other sites More sharing options...
David Drinkell Posted May 15, 2018 Share Posted May 15, 2018 Uncanny! I've been thinking about posting on this very aspect of the Carillon de Westminster for the past couple of weeks. The best I can think of is to hop the thumb around, as suggested above, but it's not a very satisfactory (or safe!) way of doing things. I tried holding the A on the Pedal, but it doesn't really come off at Fredericton Cathedral. Link to comment Share on other sites More sharing options...
Fiffaro Posted May 28, 2018 Share Posted May 28, 2018 I have rather small hands but can manage this. My fifth finger holds down the A most of the time while being in front of the keys rather than above. Towards the end of the sixteenth notes when I start using my thumb more than once in each group (Page 43, System 2, Bar 1, Beat 2) I then move my fifth finger back to the top of the key surface. I've attached a copy with some fingering in in case it is of interest, although I know everyone's hands are different. Vierne Carillon Fingering.pdf Link to comment Share on other sites More sharing options...
Zimbelstern Posted May 28, 2018 Share Posted May 28, 2018 Recently I read that William Herschel, when auditioning for a post at Halifax Parish Church, placed a small lead weight on the lowest key and another on the key an octave higher (he got the job). I suppose you could try this, although you’d have to be jolly careful. Judging by the number of assistants/ observers hovering around in Parisian organ lofts, I wouldn’t be surprised if some organists don’t resort to a little help from them. Why forgo a brilliant musical effect, just because your hands are too small? Link to comment Share on other sites More sharing options...
Vox Humana Posted May 28, 2018 Share Posted May 28, 2018 8 hours ago, Zimbelstern said: Recently I read that William Herschel, when auditioning for a post at Halifax Parish Church, placed a small lead weight on the lowest key and another on the key an octave higher (he got the job). I suppose you could try this, although you’d have to be jolly careful. Judging by the number of assistants/ observers hovering around in Parisian organ lofts, I wouldn’t be surprised if some organists don’t resort to a little help from them. Why forgo a brilliant musical effect, just because your hands are too small? Oh, I don't know. Why would they? That passage is perfectly doable in the way the OP describes. I have a wide enough stretch (an octave and a fourth - just) that I can manage it with a straight succession of fingers, but I really should have learnt it using consecutive thumbs for the furthest notes because it is far more comfortable - and I would defy anyone to detect any slight non-legato that might result. Link to comment Share on other sites More sharing options...
dpickeri Posted January 7, 2021 Share Posted January 7, 2021 Fiffaro, I tried to access the .pdf file of your fingering and it wouldn't open. Would you mind reposting it? I'd be very interested to see your solution. Thanks! Link to comment Share on other sites More sharing options...
Ronald Bayfield Posted January 9, 2021 Author Share Posted January 9, 2021 On 07/01/2021 at 20:44, dpickeri said: Fiffaro, I tried to access the .pdf file of your fingering and it wouldn't open. Would you mind reposting it? I'd be very interested to see your solution. Thanks! When necessary I just my left thumb repeatedly. Link to comment Share on other sites More sharing options...
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