iy45 Posted October 8, 2019 Share Posted October 8, 2019 I wonder if anyone has any theories about something that's puzzled me for years. Little, in the preface to his Novello editions says of the first movement: "The final version of a work written for performance at his sister Fanny's wedding in October 1829". Certainly the outer sections would make a decent Wedding March, but how do we explain the first fugue, which has in the pedals the tune which in Germany is sung to a metrical setting of Psalm 130 - "Aus tiefer Not schrei zu dir", or, in English, "Out of the depths I cry to thee"? Surely not Mendelsohn's idea of a joke, but what might the serious message be? Ian Link to comment Share on other sites More sharing options...
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