Guest Nigel ALLCOAT Posted April 3, 2006 Share Posted April 3, 2006 I am wonderfing if there are any diligent souls who have made an in-depth study of the compass required for the organ literature over the centuries. Who has composed for only 51, 54, 56, 58 and full 61 notes? Of course 61 allows everything thanks to the USA. As one goes down the scale of notes, so to speak, what is going to be left out? Also, how many major works will be out of reach if the pedals do not go up to G? I know that I should spend hours researching this in depth, but why do it if it is already done?! Any thoughts? Link to comment Share on other sites More sharing options...
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