Pierre Lauwers Posted September 8, 2006 Share Posted September 8, 2006 To be viewed as you want, but heard with a correct Audio system: As Mr Tharp explains, in this organ some influencies from Donald Harrison are already present. But these Mixtures remain well proportionned there. Masterpice! Pierre Link to comment Share on other sites More sharing options...
ajt Posted September 8, 2006 Share Posted September 8, 2006 To be viewed as you want, but heard with a correct Audio system: As Mr Tharp explains, in this organ some influencies from Donald Harrison are already present. But these Mixtures remain well proportionned there. Masterpice! Pierre <{POST_SNAPBACK}> Thanks for this Pierre - I enjoyed following the other links too, particularly the St. Sulpice... Link to comment Share on other sites More sharing options...
pcnd5584 Posted September 9, 2006 Share Posted September 9, 2006 To be viewed as you want, but heard with a correct Audio system: As Mr Tharp explains, in this organ some influencies from Donald Harrison are already present. But these Mixtures remain well proportionned there. Masterpice! Pierre <{POST_SNAPBACK}> Thank you for the link - particularly for the related examples at S. Ouen. I am afraid that the Holy Rosary Cathedral Organ was not bright enough for me. Some of the quieter sounds were pleasant but I found the loud sections rather heavy, dull and reed dominated - but not in the Cavaillé-Coll sense. I also found his playing rather affected with odd mannerisms - but this merely an observation. In case anyone wishes to peruse it, below is the link for the current stop-list. http://www.emskinner.com/stoplist.htm It is also instructive to click on the home-page link (to be found at the top of the specification page) and gain some insight into the rationale behind the design of this instrument. Link to comment Share on other sites More sharing options...
Vox Humana Posted September 9, 2006 Share Posted September 9, 2006 Thanks for that, Pierre. It sounds like an extremely fine organ of its type. No one can doubt that E M Skinner knew what he was doing. I also loved Virgil Fox's wonderfully over the top Middelschulte. I wouldn't mind being able to play like that. Link to comment Share on other sites More sharing options...
Pierre Lauwers Posted September 9, 2006 Author Share Posted September 9, 2006 Ernest Martin Skinner belongs to the top masters of the "post-romantic" period. His style is bold, coherent, and beautiful: a work of Art. The rest is of course a matter of taste, but an organ like that one belongs to the historical heritage on a par with Schnitger's, Silbermann's and the others. (Don't believe I'm alone to think that way...) Pierre Link to comment Share on other sites More sharing options...
Recommended Posts
Please sign in to comment
You will be able to leave a comment after signing in
Sign In Now