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tiratutti

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Posts posted by tiratutti

  1. On 20/08/2020 at 02:01, DaveHarries said:

    The transept organ of Cologne Cathedral (Klais, 1948 & 1956, refurbed 2002) has a high-pressure division -  the "Hochdruckwerk" - which has no less than 5 tubas! Two of these - the "Tuba Episcopalis" (played when the archbishop enters) and a "Tuba Capitularis" (played at the entry of canons to mass) - are located at the west end of the cathedral and are, I understand, voiced on 39.3-inch (998.2mm) wind pressure. There is a YouTube clip - look for "Kölner Dom - Orgelmusik am Ostersonntag 2010" - where one of the Tubas, if not both, gets used at the end. Quite loud: worth hearing!

    Dave

    the two tubas are voiced on 700mm (27,5 inch) wind pressure. Take a look with Cathedral Organist Winfried Bönig in Das Westwerk im Kölner Dom.

    Cheers
    tiratutti

  2. 1 hour ago, Johannes Riponensis said:

    Thank you so much.  Expressionen, I believe, are more common in Germany, as an alternative to tuning slides

    Expressionen are typical in German romantic organ building. The following picture shows the elements of flue pipes in German romantic design:

    Expression-beschriftet.jpg.f727b5bd223f4021182c21435513fb7c.jpg

     

  3. Hello,

    "Expressionen": pipes with "Überlänge" (overlength) and "Stimmrolle" (tuning roll?). I don't know the english word (perhaps tuning slot) but can show you a picture, where the "Expressionen" are marked.

    Expressionen-Ausschnitt-markiert.thumb.jpg.68b9654ca217c863a5129ba7f3db7557.jpg

    Cheers

    tiratutti

  4. 22 hours ago, SomeChap said:

    Speyer is in the south west of modern Germany, I think it would have been in an out-growth of Bavaria politically at the end of the 16th century but correct me if that's wrong.

    Hello again,

    Speyer was "Freie Reichsstadt" from 1294 until 1792. So Speyer was subordinate directly to the Kaiser.

    Don't mix Ros (short for Rose (english rose) with today's Ross or Roß (Pferd, english horse). And keep in mind that  in 1599 there was no regulated spelling. In the context of this hymn the meaning is primary rose, no matter if written ros, ros', ross, roß, röslein (diminutive). The word Reis comes from Jesaja 11,1 and means Spross (english scion, but also sprout). One word, two meanings. I think, the meaning Reis is present in the background, when there is written Ros in the first line of the hymn.

    Cheers
    tiratutti

  5. Hello Dave,

    Wondering if anyone can identify the piece of music which is played for the opening 2 minutes of this clip? Nice use of the cimbelstern bells (although the organ case, AFAIK, has no rotating start on it).

     

    no piece, it's an improvisation.

    In 2014 the german hymnal Gotteslob was renewed. Since then "Abide with me" is used for Nr. 94 "Bleib bei uns Herr, die Sonne gehet nieder." and for 325 "Bleibe bei uns, du Wandrer durch die Zeit!"

     

    Cheers

    tiratutti

  6. Hello,

    Does anyone on here have the volume/s of Nibelles 50 pieces for liturgical use? I have heard extracts played and some of the pieces sound quite effective but would not really want to get hold of the whole lot unless it was worth it. His Carillon Is quite well known and I believe there is a quite effective Toccata too.

    A

    yes, I have the "50 pieces sur des thèmes liturgiques des dimanches et fêtes de l'année". You will find the content here.

    Extracts from the foreword, written by Félix Raugel :

     

    ... L'organiste liturgique trouvera donc ici des morceaux de diverse importance pour cadrer avec les différentes phases de l'office: Préludes pour les Entrées, les Offertoires et les Sorties; pièces brèves pour les Interludes et les Versets; méditations recueillies pour les Élévations et Communions. Tous les procédés de l'école: fugues, canons à tous les intervalles, motifs obstinés de carillon, chromatises discrets aux enchaînements ingénieux, y sont employés spontanément, sans asservir ni paralyser le sentiment moderne de l'expression musicale, strictement conforme aux principes d'esthétique posés ou rappelés par les pontifes musiciens qui, de nos jours, ont assuré la réforme et la renaissance de la musique d'église. ...

     

    Cheers

    tiratutti

  7. Hello,

     

    This is a very interesting console. The organ is a Seifert, but I can't find much about it online. The Seifert website is undergoing renovation and is currently out of action. It seems, from this article (thanks to Google translate), to have been built in 1973 and restored 2 years ago: https://smmp.de/2014/06/18/die-orgel-im-bergkloster-klingt-wieder-wie-neu/ If that is so, this would have been recorded before the restoration. The stops, in particular, are very odd, and I'm not sure what the little levers above each stop switch do.

     

    You will find some information about the organ at orgbase.nl.

    The organ has three "Freie Kombinationen" (free combinations) and the little levers above each stop are for the preparation of the combinations.

     

    Cheers

    tiratutti

  8. Hello,

    A difference between English cathedrals and many continental ones is that English cathedrals are used rather a lot for services, whereas one could go to some major cathedrals in France, for example, and see "Messe 1000" each day and nothing else.. Without the daily round, it would be easier to close a building completely.

     

    take a look at Freiburg Cathedral. The services are daily at 7:00, 8:00, 18:30. Sundays at 7:00, 8:00, 10:00, 12:00, 20:00.

     

    Cheers

    tiratutti

  9. Hello,


    Greetings, does anyone have any suggestions for any organ music which contains references to birds or bird song. Before you all rush to the Messiaen cupboard I'd need stuff that would be approachable for the audience and I don't have time to faff about unravelling his music anymore. It's for a talk / recital I'm doing for the local twinning association and our twin town is in Bavaria. The title is Clocks, Chorales and Cuckoos. I've got the clocks and chorales covered, too much in some ways, and I have one piece which is based on a German folk song called 'Alle Voegel sind schoen da' , full of twitterings and trills.

    All suggestions gratefully welcomed.

     

     

     

    take a look at:

    Edwin Lemare: Summer sketches op. 73 which has a movement called "Cuckoo"

    Louis Claude Daquin: Rondeau "Le Coucou"

    Johann Xaver Nauss: Parthie auf das Clavier "Gugu" (contained in "Augsburger Orgel- und Klaviermusik des 16.-19. Jahrhunderts")

    Andreas Willscher: Vogelarium Eight Pieces containing pigeon, nightingale, grey partridge, raven, pelican, sparrow and eagle.

     

    Cheers

    tiratutti

  10. Hello,

    Thought this would be of interest. It is the final hymn and recessional music from a Christmas Mass at Cologne Cathedral in 2010. Excellent music: I believe the piece of music right at the end was written by the cathedral organist, Winfried Böning. I did see the title of that piece somewhere but can't recall it.

     

     

    Dave

     

    after the final christmas carol "Menschen, die ihr wart verloren" (now Number 245 from the "Katholische Gebet- und Gesangbuch"), Bönig plays a modulation from D major to C major (2:30 to 3:30) and then it is a setting of the french carol "Ou s'en vont ces gais Bergers". Perhaps from a french composer like Balbastre or Dandrieu.

     

    Cheers

    tiratutti

  11. Hello,

     

    may I ask if anyone knows the dates of birth and death of Dudley Peele? There are some pieces in the collection of Chime Preludes, edited by H.W.Gray in 1929. But noone knows Peele's biography. Perhaps a pseudonym?

     

    Thank you in advance

    tiratutti

  12. Hello,

     

    Avoiding starting another topic on a similar subject, if anyone has a copy of any of the following which they wish to sell, I'd be most appreciative. If you are able to help, contact me via PM. I'm always scouting the usual second-hand places, but these are the ones which never seem to show up - and most, if not all, of them are long out of print.

    VA


    - W. Albright - Sweet Sixteenths
    - Y. Bowen - Melody in G minor
    - H. Mulet - Offertoire Funebre / Priere / Offertoire pour la Fete du Tres Saint Rosaire
    - E. Hovland - Toccata 'Now Thank We All Our God'
    - E. Mignan - Toccata Medievale
    - E. Bullock - Improvisation on a Tune of Orlando Gibbons

     

    the Hovland is available.

     

    Cheers

    tiratutti

  13. Hello,

    But instead of a fan blower which delivers a constant supply of wind, have any baroque or neobaroque organs had electrically operated bellows fitted that go up and down like a manual pump?

     

    look at the site of Hans-Jürgen Reuschel. He has designed such things.

     

    Cheers

    tiratutti

  14. Hello,

    Does anyone know anything about Manfred Perger? The usual internet search reveals some music (a colleague has Three Chorale Fantasias), but nothing about the man himself. And I'm not a German speaker, so I've been unable to glean information from any foreign sites.

    Manfred Perger was born 1957. He is or was (I can't google it exactly) professor for improvisation at the University of Music and Performing Arts Vienna.

     

    Cheers

    tiratutti

     

    PS: Oh, Karl-Bernhardin was faster :)

  15. Hello,

    Having checked, I think my own suggestion about Reger was the result of previous mis-information, because again, his variations on "God save the King" substantially pre-dates any outbreak of hostilities.

     

    one of the last works of Max Reger, op. 145/7 "Siegesfeier" (Triumphal Fête / victory celebration) dates from 1916. It quotes "Nun danket alle Gott" and near the end the German national anthem.

     

    Cheers

    tiratutti

  16. Hello again,

    W. A. Plagiavsky Mozart: »Four Pieces for Trumpet Clock«

    this piece has a story.

    In 1985 (I think it was Wednesday 6-26-1985) we were at Vienna. Peter Planyavsky, the organist of St. Stephen Cathedral gave his 250th concert. Normally he improvised at the end, but there the whole concert was improvised. And a musical joke from the beginning to the end! For example the program stated that Liszt not only wrote the well-known Fantasie and Fugue on B-A-C-H, but also for the inauguration of a chemical installation a Fantasie and Fugue on B-A-S-F. BASF is a great german chemical company and the four characters give a proper theme with the notes B flat, A, E flat and F. The whole piece long I thought: it sounds like Liszt's B-A-C-H, but the theme was every time B-A-S-F. It was real fun.

    Another work at this concert was the Four Pieces for Trumpet Clock from "Mozart". For example the third piece was a "Largo ma non largo "(s' Lercherl) (the lark). Registration: reed 16' and reed 8'. The fourth a "Rondo alla Turkey" Alla marcia, molto penetrante ;-) I never heard a concert like this. Great great fun.

    In 1991 the four clock pieces were published by Doblinger.

     

    Cheers

    tiratutti

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