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bombarde32

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Posts posted by bombarde32

  1. I'm guessing that one of the contributing factors is the set up. The temporary nature of the installation at Worcester probably compares badly with your system at Cheltenham. But you're right: there's quite a 'bloopy' character to the Rogers tutti. I'll have to try a Wyvern!

     

    Absolutely - turning up with a pre-voiced organ (or one which subtle voicing cannot be carried out effectively) and a few speaker cabinets of varying sizes plonked on the floor just isn't going to do it, really.

    In a Wyvern church installation, 15/30% of the cost IS the installation!

  2. I praise Tony and his team to the hills. Many times I have had to fetch up at a church to play for a funeral/concert/wedding etc. and I have been ever grateful with the information on NPOR.

     

    Especially as often, a phone call to the establishment concerned often reveals a comment like "we have an ORGAN? - really, do we?"

  3. The latest set of photos shows the pedal starting to go in, including some of the big reeds, as well as finishing off the front pipes and completing the Great flues. Nearly there on the installation...just the voicing to go!

     

    A

     

    More really great photos! Isn't technology wonderful, and to think that when this organ is finished, there will be a fantastic timeline of it from the very birth of the project, meticulously laid out for all to see.

     

    Thank you very much!

  4. ============================

     

    I would agree, were it not for the fact that some of the organs in Cambridge and Oxford have been built in a style which is wholly inappropriate for the buildings in which they are placed.

     

    Others, such as Queens' Oxford or New College, are absolutely priceless.

     

     

    MM

     

    What are your feelings on the Reiger in Christ Church Cathedral? Am interested as my 8 year old Son is going there as a chorister in September. I will probably be hearing it a lot!!

  5. The Westminster Cathedral recording is the one I've got. I noticed it the other day in a record shop I didn't quite succeed in passing and it looked so lonely I felt obliged to give it a good home. I have to say that both the organs and the singing are simply stunning. Even my wife was impressed enough to ask what the music was. The rest of the programme on the CD is excellent too with the Widor Mass and motets by both men and by Dupré. Currently one of my desert island discs.

     

    I've not heard any of the French recordings yet, so perhaps I should reserve judgement, but, without wishing to be jingoistic in any way, you can't tell me that any French choir is ever going to be a match for Westminster Cathedral. :lol:

     

     

    Me too! The Westminster Contra Bombarde is a real snorter!

  6. What seems to work quite well for me is:

     

    For the note Treble C, play the following five notes:

     

    E below, Treble C, G above, C above, and F above that.

     

    For the next note (D for instance) play:

     

    F# below, Treble D, A above, D above that, and G above that.

     

    To simulate a Carillon effect, use the same notes, but substitute the lowest note for an E flat (for a C bell) and an F natural for the next note up etc.

  7. I know, I've been in these situations before.

     

    And what a lovely new H&H pipe organ we now have as a result!

     

    Colin :unsure:

     

    The fame of which has gone out all over the land! :)

     

    Colin, I should very much like to come and see it. Regularly play in Winch. on Sundays.

  8. Can you name some please? I'm really stuggling here.

     

     

     

     

    The use of the word "believed" is interesting here. I sense some subjectivity here - what one person might called "clapped out" another person might call "worthy of restoration"...

     

    Sometimes electronic substitute organs may be the best option: some churches don't have a suitable place for a pipe organ to go. It is replacing pipe organs with electronic substitute organs on overriding grounds of cost by uninformed people that rises my ire.

     

    I think that Rogers started to produce hybrid instruments in the 1970's

     

    It might raise your ire, but try telling that to the young mother whose baby has just crapped itself in church because there are no toilets or changing facilities within the building. A pipe organ V Digital debate is just not going to cut it with her, me thinks.

     

    When it comes to a new roof/heating system/toilet facilities etc.etc, a digital organ is going to win every time. Sad, but true.

    In Scotland, 3-4 pipe organs are being replaced by digitals every month.

  9. But I'm wondering if I've done the right thing. Should I just leave it connected? Is it usual for a humidifier to run for hours on end?

     

    Definitely, yes. When the heating is on and the weather is cold and dry, an organ generally needs all the humidification it can get, even more so if it is in an elevated position, slowly being cooked to death.

  10. Hmmm.... I tried this number - and got someone called Samantha who informed me that she was hot. Obviously, I suggested that she opened a window in order to try to increase the ventilation. She seemed to have a cold or something, since she had a very husky voice. Perhaps she could be his wife.

     

    She then apparently asked me what tobacco I preferred - I have no idea why; something about rough shag, as far as I could make out.

     

    Are you sure that this number is correct?

     

     

    :lol::lol:

  11. It's a (fairly derrogatory) term for an electronic/digital/"pipeless" organ. In addition to Davidh's response, I would note:

     

    3. Just like Toasters, new models of electronic organs are updated every 2 or 3 years to keep up with the latest fashions

     

    I would agree with this in that since I have been married, we have gone through 3 toasters, but only one (er!) organ.

  12. I include this purely as a curiosity:

     

     

    I had a look at this, but has anyone seen the placement of the chair at about 25 seconds into the clip?

     

    Hell's Bells - you wouldn't catch me sitting there!! EEK!

  13. My theatre organ teacher, the late Reginal Porter-Brown had almost no sight towards the end of his long and distinguished career.

     

    .....didn't seem to worry him one bit. He could whizz his way around the 137 stop classical console at the Guildhall Southampton with no trouble at all. He also had little trouble with the Theatre console there too - it has 240 odd tabs!!

  14. I have one and it's very good except that I find that organ recordings are often very "bass-heavy", with particular low pedal notes sticking out. Has anyone else found that or am I doing something wrong? Has anyone used one with external microphones? Of course experimenting with microphone placement helps, but I bought it to make quick recordings with no fuss.

     

    Stephen Barber

     

     

    The trouble with trying to record low freqencies with a small 'single point in space' device is not always the small mics, but that you quite often get the 'one note boom' in smaller venues. You know the kind of thing when the person 10 feet away from you says 'listen to that glorious 32' purr', and you can't hear a blessed thing!

     

    Seperate microphones can obviously go some way to alleviate this, if they are carefully placed.

  15. Conn Organs, I think it was.

     

    [Thinks: Well-named!]

     

    'Twas Conn, for sure, and titter all you like about the name, some of the larger ones were very good indeed, like the 580 and the 650, 651 and 652. The thing that made them quite different was that they had some degree of independent tone generation. Their first instrument was made in 1947 and by 1979 the company (well, the organ side of things anyway) had breathed its last.

     

    The large model with two leslie cabinets on it and four straight cabinets could produce a very good theatre organ sound, and made the Hammond look (and sound) poor by comparison.

  16. I 'did' the Widor (op36) a couple of years ago in Swindon with a 120 strong choir at a large Catholic Church. My pal Simon Bertram was orgue 1 (pipe organ)and I was orgue 2 (imported digital organ with 2200 watts of audio :eek: The performance was quite an event and we also performed the Langlais Equisse Gothique (duet) as well.

     

    Fair blew the roof off, it did!

  17. The organ scholar between Iain Farrington and Teilhard Scott was probably Miles Hartley.

     

    I understand that Mr Teilhard Scott is now an airline pilot, flying for Exel Airways in Bangkok or Bahrain.

     

    Barry Williams

     

    ............and presumably earing a damn site more dosh, I wouldn't wonder!

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