Something has to be special about an instrument for me to take down a spec. Too often, I find, the overall result has little to do with stop names, however in the early 60s I found myself in Brunnen Reform Church in Switzerland. In 1959 Goll (Luzern) built this remarkable little gem:
Compass 56/30
Man I
Rohrflote 8
Principal 4
Mixture 1 (22,26,29)
ManII
Nachthorn 4
Octav 2
Krummhorn 8
Pedal
Sub Bass 16
Fagot 16
Reversers to Mix and Krum
Three couplers by hitch-downs
Totally unenclosed of course!
In a fairly large building I well remember the glorious tone and how well it would be for service and voluntary use, though maybe not for choral accompaniment as in English traditions.
I often wonder if it is still in the church, and also how many two manual instruments in this country at that time (and maybe now!) would have a reed as the second pedal stop.