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mrbouffant

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Posts posted by mrbouffant

  1. How about the Toccata Nuptiale by Chris Maxim, published by S and B. Its a sort of Vierne like toccata in the manuals, then when the big pedal tune comes in, it is in fact, Daisy Daisy, and you can't miss it. The piece is a good one, and though there are one or twotricky moments, possible to learn in a short amount of time.

    I agree!

  2. Please could someone explain the advantage of this - in short words!

    Imagine you subscribe to a number of fora and you also have interest in the latest news stories on the BBC and sports news on Sporting Life - you would spend your days flipping your browser through each one to see what looked recent. With RSS, such content can be sent to a RSS feed reader (e.g. RSS Bandit) which then shows you what is new and allows you to easily see everything in one place.

  3. My regular instrument had a new console in 1990. I now find the music desk arm prong thingies are starting to break. They are screwed into the lip of the music desk, but one snapped off during 9 lessons and carols this year, and although we can probably take the thing to bits and get the screwy bit out, I fancy it is time to replace all the others too.

     

    Question is though, where do I get them from? They are pretty sturdy beasts, about 1.5 inches long, with a screwy end. They are brass, I think... Any ideas as to a possible supplier would be much appreciated.

     

    With thanks!

  4. just out of curiosity at how the syllabus' have changed, and if they have gotten harder/easier

    Well, if St Anne was gr7 standard in 1975, how would you compare that to the current syllabus which has the B minor 'Corelli' fugue for gr8? I know which one I think is more difficult - by a marked amount!!

  5. It would seem the exam board are being a bit fickle. Exactly what guidelines/criteria have they given?

    Only that own-choice repertoire must be of the "appropriate standard"...

    Clearly 552 fell foul of that definition! I await their view on 542...

  6. What precisely did you want to play? Just the Fugue (BWV552ii) - an Ass. Board grade 7 piece in the 1970s, or both Prelude and Fugue?

    Both.

     

    552 is specified by other boards at the same level which is why I thought this particular board might allow it. Ah well, these boards make much that their diplomata are SQCF-accredited at levels X, Y and Z but just go to prove that inconsistency is rife!

     

    I am still chewing it over. 532 is nice but a little on the short side to fill my programme - the suggestion of the 542 would fit nicely, I wonder if they will go for it...

  7. I've just had an exam programme rejected because I wanted to do BWV 552 (the E flat 'St Anne' one) and it was considered not comparable to the benchmark work the D major BWV 532.

     

    My questions are:

     

    1. What do you think of this comparison? Fair or no?

    2. Do you think the Toccata and Fugue in F BWV 540 (an alternative I was musing upon) is of comparable difficulty to 532?

    3. Can you recommend anything else Bach-wise of a similar standard and about 12-15 mins

     

    Thanks!

  8. And, talking of "ouch" reminds me that another similarity between organ practice and sports training is the danger of inflicting upon yourself a permanent physical injury - a sore point for me - literally. :o

    Preach it, brother! I have had Bach Trio Sonatas leave me with a mild groin strain. I think there are more enjoyable ways to achieve the same effect!!

  9. Paul which transcription is this? Jane is holding me to ransom of a sort unless I promise to put DM in my next recital - I see that you can get a book of transcriptions which includes the "first section" of Danse Macabre, but the only one I have is Liszt's piano transcription.

     

    Thanks

     

    Peter

    I do know you can get DM in Lemare's transcription, published by Wayne Leupold. I rang a nice lady in the US and she sent it over fairly swiftly. It ain't easy!!

  10. On the subject of his technique, it's worth remembering that he wrote both the Nativity Carol and the Shepherd's Pipe Carol while he was still at school. Ye Gods, it's just not fair! :o

    That being the case, would you say he has progressed technically and creatively since then?

  11. Not too much genuine organ music amongst all this!

    Very true, but it is fair to say these programmes were designed for the tastes of the day with the sole intention of getting the punters in, i.e. to be "populist" in the true sense of the word.

    Mr Trotter's recital failed by the same yardstick because it demonstrably did not get the punters in. Saying all that, if any of us were giving a recital at the RAH, I doubt we would manage 800!!

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