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Mander Organs


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Everything posted by Clarabella8

  1. I was listening to someone on the radio over Christmas making predictions for the next decade, one of which involved the imminent explosion of virtual reality experiences. Before long, they said, virtual reality in certain areas of life will be better than the actual reality. In this respect, one might argue that the organ world is ahead of the curve. Using the kind of software of which most readers here will be aware, one can play some of the finest organs in the world from the comfort of the living room (or garden shed, in my case) with absolute ease and convenience. Given that the near
  2. The architect George Pace designed quite a number of organ screens in the 1960s and 70s, most of them being of the sort you describe. They often incorporated a variety of elements of different heights, widths and sometimes colours that can make them quite interesting to look at, compared to the more bland and regular examples from the inter-war period.
  3. Thomas Dallam’s famous organ for Sultan Mehmet III included a ‘shaking stop’ in 1599. Later on, Christopher Simpson, in ‘The Division Viol’ (1659 if my memory is correct..?) described a ‘shake or tremble with the [viol] bow’ that resembled the ‘shaking stop of an organ’. Thomas Mace (1676) and Roger North (1724) also likened this bowing technique (which I imagine is the ‘tremolo con l’arco’ technique of varying the pressure of a single bow stroke) to shaking organ stops. Organs used with viols would have been chamber consort organs, but I’m not aware of any survivals of tremulant mechanisms on
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