contrabordun Posted January 21, 2009 Author Share Posted January 21, 2009 Wot? No couplers? AlltoPedal and (stretching the rules a bit) Choir to Pub Link to comment Share on other sites More sharing options...
sbarber49 Posted January 21, 2009 Share Posted January 21, 2009 Great (enclosed except Open Diapason) Gross Geigen 16 Hohlflute 8 Open-diapason 8 Octaaf 4 Harmonics Contra Tromba 16 Swell (enclosed) Flûte harmonique 8 Echo Gamba 8 Celeste 8 Contraposaune 16 Cornopean 8 Clarion 4 Brustwerk (enclosed - perspex shutters) Barpfeife 8 Sesquialtera 12/17 Pedal Contrabordun 32 GrossGeigen 16 (from Great) Dulcie Arner 16 (from Antiphonal) Hohlflute 8 (from Great) Flûte harmonique 8 (from Swell) Echo Gamba 8 (from Swell) Open-diapason 8 (from Great) Nachthorn 4 (from Swell) Octaaf 4 (from Great) Bombardon32 Harmonics (from Great) (from Great) Contra Tromba 16 (from Great) Contrabombarde 16 (from Bombarde) Contraposaune 16 (from Swell) Cornopean 8 (from Swell) Clarion 4 (from Swell) Solo (enclosed) Holz Gedeckt 8 Dull strings 8 Nachthorn 4 Nazard 2 2/3 Cornetdeschats Vox Humana 8 Bombarde (unenclosed) playable from manual 4, 5 or 6 Contrabombarde 32 Double Ophicleide 16 TubaMagna 8 (91 inches WP) East Antiphonal (unenclosed) playable from manual 5 Dulcie Arner 16 More dull strings 8 Célestin 4 Dome playable from manual 1 or 6 (unenclosed) Cymbelstern (digital) Voix Mystique (from tenor C - part digital) West Antiphonal (playable from manual 6) enclosed Undamaris Altar Organ (playable from manual 1 or 6, or from own Yamaha keyboard behind Altar using a midi connection) Vox Aetheria Accessories Usual divisional pistons and couplers One general piston,with stepper (2 memory channels) Doubles off piston TV (with “always on” connection to BBCi) Some pedal extensions and "borrowings" proved advantageous. Stephen Barber Link to comment Share on other sites More sharing options...
Pierre Lauwers Posted January 21, 2009 Share Posted January 21, 2009 To inject a "serious" question here (and I know I should know the answer) but if one has a Harmonics mixture (10ths, flat 21sts etc) does one add it after the reeds, or with them? Presumably not as the "top" of a diapason chorus? After chorus reeds of the "closed toned" kind, also Tromba 16-8-4. Like the Grand Cornet goes with Trompettes and Clairons to form the "Grand jeu"; the principle is the same. Pierre Link to comment Share on other sites More sharing options...
Lausanne Posted January 22, 2009 Share Posted January 22, 2009 There are a few more stop names lurking out there as forum members, or languishing if you prefer: Octave dolce, Octave, Dulciana, Clarabella, Fiffaro, Sousbasse and Waldhorn. At a pinch, Stieglitz might be included in the absence of a Rossignol. Although just exactly what sound a goldfinch makes (yes, I had to look it up) and whether any organ music requests it in place of a nightingale, is another matter. Link to comment Share on other sites More sharing options...
Vox Humana Posted January 22, 2009 Share Posted January 22, 2009 Although just exactly what sound a goldfinch makes ... is another matter. It has a high, tinkly song, like little, tinny bells - a sort of avian cymbelstern, I suppose. Link to comment Share on other sites More sharing options...
contrabordun Posted January 22, 2009 Author Share Posted January 22, 2009 There are a few more stop names lurking out there... Added (and nazard) to the OP. Apologies to all I overlooked - there were over 1000 registered member names to trawl... Link to comment Share on other sites More sharing options...
pcnd5584 Posted January 23, 2009 Share Posted January 23, 2009 Isn't there someone called Harmonics V (or whatever) ? And can we include Chamades on account of PCND5584? Mais oui, M'sieur. A good organ will always have a nice Chamade - and no Dulciana, naturally.... Link to comment Share on other sites More sharing options...
Guest Echo Gamba Posted January 23, 2009 Share Posted January 23, 2009 Mais oui, M'sieur. A good organ will always have a nice Chamade - and no Dulciana, naturally.... Would a Dulciana en Chamade have more impact? Link to comment Share on other sites More sharing options...
Guest Echo Gamba Posted January 23, 2009 Share Posted January 23, 2009 Mais oui, M'sieur. A good organ will always have a nice Chamade - and no Dulciana, naturally.... And, er, does a certain instrument with a Chamade still have a Swell Viola masquerading as a Dulciana.........?? Link to comment Share on other sites More sharing options...
Guest Patrick Coleman Posted January 23, 2009 Share Posted January 23, 2009 Pedal · Bombardon32 · Contrabombarde 16 · Contraposaune 16 · Sousbasse 16 · Bordun 16 (from Swell) · Open Diapason 8 (from Great) Choir (enclosed) · Dull strings 8 · Hohlflute 8 · Celeste 8 · More dull strings 4 · Waldhorn 4 · Nazard 2 2/3 · Barpfeife 8 · Undamaris 8 · Vox Aetheria 8 Great · Grossgeigen 16 · Open Diapason 8 · Clarabella 8 · Holz Gedeckt 8 · Dulcie Arner 8 · Octaaf 4 · Nachthorn 2 · HarmonicsV · Contra Tromba 16 (extended to 8 and 4) Swell (enclosed) · Contrabordun 16 · Dulciana 8 · Echo Gamba 8 · Flute Harmonique 8 · Octave 4 · Octave Dolce 4 · Celestin 4 · Double Ophicleide 16 · Cornopean 8 · Clarion 4 · Sesquialtera II (12.17) · Vox Humana 8 Solo (enclosed) · Fiffaro 8 · Cornetdeschats 8 · Voix Mystique 8 · Cymbelstern · Tuba Magna91 (unenclosed) All possible couplers I noticed in the process that we don't seem to have an Open Wood as a contributor, so I'm adding it as a surname to my signature! Link to comment Share on other sites More sharing options...
pcnd5584 Posted January 23, 2009 Share Posted January 23, 2009 And, er, does a certain instrument with a Chamade still have a Swell Viola masquerading as a Dulciana.........?? No - although we are still waiting for one drawstop to be re-engraved. I have updated the entry in the NPOR; it should now be correct. Link to comment Share on other sites More sharing options...
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