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Mander Organs


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About sbarber49

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  1. It was an interesting arrangement - quite a lot of Guillou in it, but still Vivaldi. The whole recital was terrific.
  2. Does anyone else play the Rathgeber Christmas Pastorales? I find them very useful for playing before carol services. Jolly and lively. http://shop.trinitycollege.com/shop/prod/Rathgeber-Johann-Valentin-10-Christmas-Pastorales-Organ/684858
  3. I'm also surprised. I thought that I'd read reasonably recently that Oxbridge colleges were despairing at the low standard of candidates for organ scholarships.
  4. I see there's an obituary in The Telegraph: https://www.telegraph.co.uk/obituaries/2018/08/28/henry-willis-organ-builder-obituary/
  5. I made one to suit my fingers (so fewer difficulties!). If anyone wants a copy, PM me. I've never come across Harvey Grace's arrangement. Where could I find it?
  6. Indeed, in my benefice (King's Cliffe, Northants) there are Holdich organs in Easton-on-the-Hill (a fine one, renovated by Richard Bowers), Bulwick, and a small one-manual in Laxton (complete with Diaocton), also renovated by Bowers. Collyweston has a one-manual that is also reputed to be by Holdich.
  7. Though still in copyright, of course.
  8. Try Leighton's Fanfare. It's a very effective, easy piece and I don't think it's often played (probably because it was published in the OUP book, "Easy Modern Organ Music". I think it's also in the Leighton Organ Music Book (OUP). There's a good one by Bliss: "A Wedding Fanfare".
  9. You've only got to spend a short time looking at the work of "composers" on the internet (e.g. CPDL) to see what garbage a lack of technique can produce.
  10. There is a good repertoire list here, quite entertaining as well! http://www.cumbrianorganists.org.uk/ (Go to "features", then "choosing your repertoire") I think the Ann Marsden Thomas book "The church's year" is useful. A book I use a lot is "80 chorale preludes" edited by Hermann Keller - most are for manuals, or can be played without pedals: https://www.musicroom.com/product-detail/product450705/variant450705/80-chorale-preludes-by-german-masters-of-the-17th-and-18th-centuries/ The "24 Pièces en style libre" by Louis Vierne are very good. (and on IMSLP). As for hymn playing, excellent advice above. I would get used to having a regular gap between verses - I nearly always go for 2 beats - just seems natural to me. Personally I don't worry about the metre - after all, no-one is troubled by a pause in music: it doesn't mean the rhythm is compromised. You need to listen to the congregation: you may need to give a little leeway at the ends of lines, otherwise it can sound rushed. Congregations do sometimes need to be bullied, but if they are behind it may mean the speed is too fast or that they don't have time to breathe between lines. Personally I do sometimes put a little rit. at the end of the play over if it seems unnatural otherwise - not with the more muscular hymns and, in any case, no more than holding back slightly the last chord or two.. Provided the speed is well established at the outset the singers will be perfectly able to sing at your speed when they start. That is a minority view, though, I admit!
  11. Pity it's on a Sunday morning when organists tend to be otherwise engaged.
  12. Gosh! You certainly have a very low opinion of West (& Co.)! Certainly knowledge of historical practice was not developed in West’s time but, he would he really “ have had no interest in it”? I read that he was a pioneer in the field of editing, especially choral and organ music from earlier centuries and prepared an edition of the Bach motets. No doubt, of course, this would have reflected the knowledge and taste of his time. As for the Greene voluntary arrangement: I am grateful to you for the copy – thank you. I enjoy Simon Johnson’s performance of it on the Priory DVD from St Paul’s - a really sparkling performance to my ears. I think it’s a fine arrangement – well, the Allegro, anyway. Certainly the marked speed is very slow, but all Baroque music was then performed much slower than we do today wasn't it, so I’m not sure I’d want to be so critical of West & Co. I think the part writing is excellent and the doubled octaves only occur in 3 bars I think (though that passage repeats a couple of times). This particular movement seems to me to suit this treatment and I’m going to play it on Sunday - if my feet are confident enough on my 1865 pedal board. I’ll try not to fall into the trap of “pleasing my audience”, though! In general I do agree with you, though: I’d much rather play or hear the originals than these arrangements. However there are times when a fuller sound is required – those trumpet tunes at weddings for example, and other big occasions.
  13. I agree about re-arranging 18th century English organ music to include pedals. However I'd make an exception for Simon Johnson's performance of Greene's "Voluntary in C minor (as arranged by West) on his St. Paul's DVD.
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