Jump to content
Mander Organ Builders Forum

Martin Cooke

Members
  • Posts

    883
  • Joined

  • Last visited

Everything posted by Martin Cooke

  1. Many thanks, Keith. I won't say that I got huge value for money out of Volume 4, but that is more a reflection of my ability than anything else, but I remain interested as so many top level people are contributing to this really interesting project. Let's hope they can crack on soon.
  2. Can anyone tell me where we have got to with publications stemming from this? I bought the first volume - Volume 4 - quite a while ago, but can find no information about subsequent volumes. The other day, I came across a video of Anna Lapwood playing a CP by Grayston Ives, but don't know if the music is available. Any intel anyone?
  3. Yes, awful news but let's hope insurance will do its thing and given time, all will be well and they will rise again even stronger. Very sorry to hear that one of the employees was hurt and hope he is ok. Just picked up my copy of the latest Choir and Organ to find a feature on the company written by Paul Hale which just serves to make it all the more sad at what has occurred.
  4. I realise that these things are not everyone's cup of tea, but if 'involvement' in these things is enough of an honour, then so be it. But in this case, it appears - and I may well be wrong - that people other than the musicians have been given something and the musicians have been left out. That is my point - and it's not unusual. Whether we like the system or not, people in all walks of life get these awards, but people at the top of their game in music don't seem to be rewarded in the same way as others.
  5. I just read this, about demise honours for those closest to HRH Prince Philip, including those who looked after the Land Rover and organised things. A shame there doesn't appear to be anything for the musicians.
  6. Some luxuriant adagios 'fell off my shelf' yesterday in the form of 'The Fagus Collection of Edwardian Preludes.' I think this is a new collection from earlier this year but a number of thirteen, two page, pieces within, by Alcock , Myles B Foster, John E West, Hollins and William Wolstenholme etc fit the description. I'm sure these and others like them are freely available in IMSLP, but I do feel that Fagus has drawn together a really good selection. I've come to realise that anything by John E West is worth a second glance and I played his Easter Morn on Easter Day this. David Hill has recently recorded one of his Passacaglias. Anyway, I can see myself playing all 13 of these as useful service music. Coming out of the ether on a Sunday evening before, or even after, Evensong, any one of these would set the tone for a beautiful service or a gentle walk home.
  7. The quote here was on the back of Paul commenting upon some George Oldroyd music. Does anyone know any of Walter Vale's compositions? Novello seem able to reproduce a Prelude in G minor in 7/4 time, but it would be helpful to have a comment or recommendation before splashing out. Actually, for once I have just remembered to check 'Henderson', and it seems that this is the only published work. Any thoughts? And while we're at it, how about some more 'luxuriant adagios'? I think I have a few up my sleeve. To get us re-started, how about... Rheinberger... Pastorale from Sonata 12, and 'Scandinavisch' from Sonata 16 - very appropriate this weekend as tomorrow and Sunday are national days for Denmark and Sweden. (A good opportunity to wheel out some Gade, too! That splendid Fantasia on Lobe den Herren, for example - though not a luxuriant adagio!
  8. Something caused me to look back at this topic, and I thought I would mention that, 16 years on wince the original post, Rowley's Four Winds is available on imslp.
  9. Yes, that widens the scope brilliantly.
  10. It was a considerable responsibility for a 12/13yr old. I discovered, after processing in for evensong one weekday, that the copies of the anthem had not been put out from the cathedral stock by Taffy - and so with not that much time to resolve this problem which was not of my making, and unable to communicate mid-service with Taffy, the Vicar Choral in charge of the music library in the cathedral, I had to go and find the Head Boy's key to the 'back door' of the cathedral, let myself out, race back to the school to collect the choir school copies, and get back to the cathedral and distribute both sides of the choir in time for the anthem. This was all around the time when Christopher Dearnley was new - his second year, perhaps. Lots of the music was new and thus we had to look some way ahead to make sure copies of new music were ready for use in the Choir School. CHD once gave me a list of things to collect from the cathedral librarian. On it was something we couldn't read. 'Seiber Man' was all we could make of it. Who or what was Seiber Man? On seeking clarification it turned out we were going to be singing Matyas Seiber's Missa Brevis - so it was 'Seiber Mass!' Great times!
  11. Were you i/c the choir school music library at SPCCS, by any chance, Robert?
  12. Thanks for that S_L - I fear I was guessing!
  13. ... yesterday's (Sunday 16th May) superb Evensong from York Minster - Wood in E flat No 1, but, more importantly, a wonderful rendition of Finzi's 'God is gone up' with choir and organ in top top form. It's here. And... the last of Sam Bristow's all-Mendelssohn recitals from St Paul's. He includes the splendid Allegro, Chorale and Fugue as the finale. Here. And I think I am going to bring Mendelssohn's Trio in F major into my repertoire as well. If you missed Simon Johnson's recital last Sunday (6th May) which included Reger's big BACH piece, it's here. What a piece! What a player! I fear my copy is in the loft - (the water tank sort of loft, not an organ loft) - but I juggled between reading the score on imslp and watching Mr Johnson in action and I was agog. The St Paul's organists have done brilliantly with their online recital series celebrating 150 years since the 1872 Willis. I am lucky to have on my phone, close up pictures of the stop jambs from a visit there a few years ago - and so although one can't read the stop heads in the recital recordings, from their position on the jambs one can work out what's in use - especially on the right hand jamb. Less easy on the left where the camera is but you can guess and some of the dome pedal reeds are easy to discern. Sorry, a bit geeky, that! I could post the pics, I suppose, and then everyone could play the game!
  14. Mmm... I don't think so. The footnote on page 138 of Carols for Choirs 3 makes clear... "the original piano accompaniment adapted for organ by David Willcocks." If he had composed (as opposed to arranged) a whole introduction with accompaniment, surely, it would say that. And also, I am sure I have seen and sung the whole thing, as it were, in a separate pamphlet in my youth.
  15. Thanks S-L. Lovely to see.
  16. Greetings and welcome, Andrea. As well as finding Walford Davies' version of O Little Town in Carols for Choirs 3, you can find some of it here in cpdl. I don't think you will find the full version with the solo verses online because of copyright so Carols for Choirs 3 is your best option. I'm sorry that I can't help with The holly and the ivy. As you will have seen, his copyright materials are all covered by his trustees who, in the ordinary way of things, might have been able to help, but I don't know who they are. I do just wonder if you might approach The Temple Church in London where he was functioning as organist in 1913... or, better still, perhaps you could try to contact Jeremy Dibble who is his biographer - see here. I would have thought he would know the answer to this if anyone does. I would try him as your next step. His email address is in that link. Best of luck!
  17. Mmm... this is more of a task than I was expecting - he wrote a lot, and there are sometimes several pieces by him in each of the Mayhew volumes. In his weekly newsletter from Church Organ World, Dr Keith Harrington says that RHL had pieces in 44 of their volumes and that he wrote over 600 pieces of music. That's some output. I did start a personal reappraisal of some of the organ music yesterday and can only say that out of, say, ten I played through, I would have recommended eight. I shall keep going because I am playing a lot of music at church at the moment and there are clearly many delightful miniatures to enjoy and savour. I had forgotten a lovely piece called Recollection, for example - worth seeking out - and was taken by surprise by, I think, four contributions to a volume of music in the style of Lefebure-Wely, which could be very useful as crowd-pleasers at recitals, perhaps. If you have Mayhew albums that have slipped into disuse, this could be the moment to re-evaluate their contents as you look for a gem by Richard Lloyd. By the way, I recommend Keith Harrington's weekly mailing. Yes, of course, he's keen to sell Makin, Johannus, Rodgers and Copeman Hart instruments but you will remember that COW took on the Allegro Music stock, and in that capacity, Keith reviews and draws attention to new publications which might otherwise pass us by. I guess you just need to contact him via the Church Organ World website to get on the emailing list.
  18. I would be interested in any recommendations of organ music of his that would be good to play. I have played his - Recollection, Sweet Sorrow, and hymn preludes on Melita and Ratisbon but not recently enough to pass comment without looking them up... which I will do shortly. His Church Parade was published (as is lots of other organ music of his) by Mayhew a long time ago and I have played that sometimes around Remembrancetide. In one Mayhew volume there is a piece by him dedicated to 'the organist at Odstock' who is Richard Seal. If I get a spare hour in the coming few days I will undertake a bit of an analysis of what I have by Mayhew - I have also just ordered (from Oxfam) a second hand copy of a Mayhew volume that has one or two of his pieces in.
  19. Bravo for bringing that to us, Rowland - and... well, yikes!!
  20. See the Radio Times, too, where Joanna Forbes L'Estrange has written to complain about the non-identification of the four singers and RT has attempted to put it right.
  21. Is this the same recording by FJ that was used on 'The King of Instruments', or did FJ record it twice? I don't remember the Tuba sounding so unregulated, but my 'fi' was hardly 'hi' in those days. I just lay on the floor in front of my mother's mono record player.
  22. Oh dear, the Tuba sounds awful in that recording! By coincidence, the Cocker was the voluntary at Canterbury's evensong on Saturday or Sunday... but it sounded as though the new Ophicleide stop might have been used instead of a Tuba. It didn't come over as well as the York performance (because of distance from the microphone, I suspect) despite a couple of tuning issues.
  23. You may want to keep a close eye on Peterhouse as they are due to 'rebuild' their organ sometime soon and are fundraising for it. It sounds an 'interesting' project. In the meantime, I am sure you are practising assiduously for your audition! Many years ago, at James Lancelot's audition at King's with Sir David Willcocks, he was required to improvise with a right hand solo on the Nazard transposing down a twelfth, and sight read Brahms' Schmücke dich with the treble part played on the pedals on a 4 ft reed, amongst other things! Heck! But I repeat what I said before - that you should look at the people you will be working with and try to get a feel for what the choir gets up to especially if tours, recordings, visits to cathedrals etc all become possible again soon. I am sure you are getting good advice from school.
  24. Welcome back! I wouldn't make this choice all about the organ but think about who you might get to work with and what the opportunities are at the different colleges. Quite a lot of the best ex-Oxbridge organists around over the last 50/60 years played fairly humble instruments whilst at university.
×
×
  • Create New...