Jump to content
Mander Organs

John Robinson

Members
  • Content Count

    901
  • Joined

  • Last visited

Everything posted by John Robinson

  1. What an excellent post! I am almost certain that the majority of the sound from a flue pipe comes from the mouth (though I stand to be corrected!), I'd be very interested to hear responses from more knowledgeable members to the several other questions. I do hope you receive a comprehensive list of answers!
  2. Or simply leaving the console untouched by human hand for 3 days?
  3. We visited a cathedral 'darn sarf' last year and were pleased to see that they didn't demand anything. Instead, they politely asked if anyone would like to contribute and suggested a suitable amount. From what I could see, everyone coughed up without question. Even I paid up perfectly willingly despite being, like you Tony, a 'tight-fisted Yorkshireman'! (Sorry.) Needless to say, I thought it far more friendly to do things that way than demand a set admission fee and I wonder whether the overall income might be higher when asking politely. 'Demanding' certainly rubs up many people the wrong way, myself included.
  4. Good heavens! It looks a bit like that Disney thing in America.
  5. Very interesting. Thank you.
  6. Haha! I can't remember to whom Ian Tracey was alluding, but probably the same man.
  7. Thank you. Whilst I agree that the York organ needed some changes to make it more powerful and able to project down the nave, I do like the idea of a wide tonal palette in an organ. Perhaps that is of secondary importance in the accompaniment of services, although I'm sure it must be useful in psalms, for example, and certainly in organ recitals. Of the losses of mutations from the York organ, I feel that the Cornet is perhaps the one I'd most like to keep. The Sesquialtera perhaps less so, and its replacement by the Harmonics might compensate to an extent depending on the sound of the latter stop. The Larigot is probably the least important and the use of the Nazard with the 16' on the Choir might possibly produce a similar solo voice, although the Larigot being such a small stop might have found space somewhere in the instrument! I suppose I must sound like Ian Tracey's 'knackered cart horse' - always wanting another stop.
  8. I completely agree that we should have confidence in our own organ pedigree, but does that mean that we can't still take in some ideas from other national organ styles? I have heard the 1993 York Minster organ, both on recordings and live, and I feel that it still sounded completely 'English', at least to my ears! As I have mentioned earlier in this thread, I welcome the changes presently being made by Harrisons and am sure that there will be noticeable improvements, especially with regard to power and projection. However, I'd still have liked it to retain some of the voices being lost. The Cornet, for example, would surely not be out of character as cornets have been a feature of English organs for centuries.
  9. My advice would be simply to examine some existing scale plans to gauge typical space requirements for different stops. Of course, organ builders are expert at knowing how to squeeze things into limited spaces, but if you err on the side of generosity of space I think you'd be on safe ground!
  10. Although I have absolutely no qualifications or practical experience in organ design, it is one of my favourite 'hobbies' to design organs. Diagrammatically, I use an old, but still very workable installation of TurboCAD for detailed and accurately to scale projects, and also Photoshop Elements for less accurate attempts but with the advantage of modifying already published plans. I don't go so far as to include every single pipe and such things as electrical cabling, etc., but the basic layout of display pipes, wind chests, building frames and case work are more or less within my capabilities. Of course, written stop lists and the like are relatively easy!
  11. More likely 'worship groups'! Though not necessarily on the gallery.
  12. If the worst should happen and this church (along with others) is forced to close, perhaps the least we can hope for is for the organ to be bought by another church or organisation (quite likely abroad!) and consequently saved.
  13. Sadly, I agree. I have been to many organ recitals where I feel sad at the apparent lack of public interest, going by the size of the audience. I may have mentioned before that I attended a recital in Cologne Cathedral several years ago when the place was literally packed, many having brought along camping chairs to sit in the aisles as the pews were full. And, if I recall, that was a recital mainly of Messaien!
  14. Well that makes perfect sense to me! Thank you. Interesting, though, that Cappel was in equal temperament.
  15. How very interesting. Clever use of different octave couplers to make full use of the available stops. I wasn't aware of the 'Pedal Divide Solo Octave to Pedal' coupler until now. The more I hear about this organ, the more fascinating it becomes. Thank you.
  16. According to the 2020 Harrison specification, the Solo will include octave, unison off and sub-octave couplers, though it doesn't state whether or not the Tuba Mirabilis will be affected by these. I think if it were to be so, it would produce a devastating sound. I'm sure Robert Sharpe could clarify matters.
  17. Yes, I have had an interest in the development of the York Minster organ for many years. I remember reading somewhere that Francis Jackson described the instrument as changing 'chameleon-like' over the years to accommodate current tastes. Francis, of course, added a number of mutations (Cornet, Sesquialtera, Nazard, Tierce, Larigot) during his tenure, only two of which remain in the current rebuild which I think is a shame. Of course, we can't keep adding more and more stops into a limited amount of space and the additions and alterations being done by Harrisons at the moment will be, I think, a great advantage in making the instrument more assertive especially when being used with a full nave. I particularly like the addition of a second 32' reed in the Pedal and a Harmonics mixture in the Great. When all is completed, I very much hope that Priory might be persuaded to produce a second DVD/BD of the York Minster organ, which would provide an interesting comparison of the new with the old (a copy of which I already have, of course).
  18. I believe that such photos need to be viewed using a special apparatus such that the left picture is viewed by the left eye and the right with the right. I am able to cross my eyes to view such pictures, but the two would have to be exchanged side to side. I might try that using Photoshop when I have a few minutes.
  19. Interesting. I wonder what the boxes with crosses underneath the pipes are. At first, I thought they might be wood pipes, but that would be pointless.
  20. Thanks for this. We were there in March last year and, of course, visited St Stephan's. I wondered at the time, looking at the no-longer-functioning console, what the rebuild might turn out like. It does look like the previous organ facade but, reading the information provided, the contents seem to have been enlarged and the description of the internal layout is particularly interesting. I, too, look forward to hearing it at some time in the future.
  21. Yes, I enjoyed that. I thought the sound was really quite good even on my laptop speakers. A good choice of music, too, which should please most.
  22. Quite unusual and, yes, beautiful.
  23. NPOR states that in 1979 the bottom 8 pipes were removed 'to improve access'.
×
×
  • Create New...