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wolsey

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About wolsey

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  1. 'So mote it be' should be in the same key as Laus Deo/Redhead No 46. The problem with St Oswald being so widely used for the closing ode is that it's in D, and it ends (for men's voices) on tenor D; 'So mote it be' is sung in F or G. As far as tonality is concerned, St Oswald is a poor choice of tune, and that's why Laus Deo/Redhead No 46 is a better musical fit, and arguably a better tune.
  2. While a few Lodges will have local variations, St Oswald is by far the most commonly used tune for the closing ode. It is true that the juxtaposition of 'So mote it be' in G major after the last verse of the closing ode in D major (St Oswald) jars the sensibilities of many masonic musicians, but it would be unwise to attempt to change something (i.e. leaving 'So mote...' in D major) to which many are accustomed. Moreover, it has become so ingrained that in the occasional situation where musically untrained masons sing the ode unaccompanied, they will jump the upward perfect 4th from the end of
  3. I don't think that the engagement of a vocal coach/tutor has any bearing on the choir-training strengths of the DoM. I can think of plenty of foundations with fine choirs under excellent directors where a vocal specialist is also part of the music team.
  4. Many happy returns! (A YouTube virtual celebration is here.) !
  5. It is a matter of public record that “He wants me to stay in post, so I will stay because that’s where my orders come from, that’s where my mandate comes from. I’m going to stay and continue to work wholeheartedly at these matters.”
  6. The Deans of St Paul's and Westminster are customarily appointed KCVO upon retirement. Christopher Dearnley was appointed LVO upon retirement, and John Scott on his departure for the USA. The current Archbishop's decision not to award Lambeth Doctorates in the short term and their replacement by the Cranmer Awards is much regretted.
  7. The centenary of Jeanne Demessieux's birth falls one month today, and Dame Gillian Weir celebrates her 80th this Sunday (17th).
  8. He celebrates his 60th birthday today.
  9. As reported here, it has abandoned the idea for the time being.
  10. This is getting confusing. The Festival of Nine Lessons and Carols is precisely what it says and broadcast on the radio. What are the "two or three TV recordings of the 9 L&C" and the "Nine Lessons and Carols" you refer to? The only Christmas TV broadcasts from King's are as I mentioned earlier: fewer than nine readings, not lessons. The BBC and the College have been trying to correct this misconception about these discrete broadcasts for decades.
  11. Apologies for being pedantic, but the recorded televised service (Carols from King's) does not have nine readings, nor are they all from scripture.
  12. I've just caught up with this thread. The website (corrected?) now says the following about bar 6: "right hand, beat 1, add first leger line; beat 3, # belongs to g." Regarding the title-discrepancy, a little research reveals that action de grâce(s) is French for thanksgiving. Action de grâce (with an upper case 'A') refers to the holiday.
  13. Peter Williams' 1980 commentary should be your first point of reference. There are no autographs of the two- and three-movement versions, only copies, and some of them of course are variants. This particular work has a complex history which Williams explains, but it's important to note that it's Vogler, not Bach, who interpolates the trio movement; Walther places it after the fugue.
  14. Since there are three-movement versions of this work (i.e. BWV 529ii placed before the Fugue), and Preludes are not usually 'umbilically' attached to their Fugues in some sources, I regard them (rightly or wrongly) as discrete entities and don't attempt a tempo relationship between the two.
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