Jump to content
Mander Organs


  • Content Count

  • Joined

  • Last visited

Community Reputation

0 Neutral

About headcase

  • Rank
    Advanced Member

Contact Methods

  • Website URL
  • ICQ

Profile Information

  • Gender
  • Location

Recent Profile Visitors

5,161 profile views
  1. Quite a lengthy article in CHOIR & ORGAN about her...not an obit. Just coincidence.
  2. It's a hang-over from the era of trigger or kickstick Swell Pedals. H.
  3. Interesting range of music in Olivia Colman's film, The Favourite, based on the life of Queen Anne. So Bach Fantasias rubbed shoulders with extracts from Messiaen's La Nativité, Purcell's Dido & Aeneas and much else (including some monotonous contributions from what I can only assume was a one - handed cellist.) The organ contributions certainly heightened my enjoyment of the film and came as a welcome showcase for the pipe organ in a stylish and inventive way.
  4. Trois Pieces Breve pour orgue, Maurice Lenormand pub. Leduc. Probably 5-6 mins of music but certainly lush and romantic. Lenormand was organist of the Cathedrale of St Vincent de Macon, from 1906 for over 60 years.
  5. I had the absolute pleasure of being on tuning standby for a week of recording with Simon Preston, for his Bach series on DeutchseGramophon. After the first day of reading endless paperbacks, I was warmly invited to be at the console to turn pages, comment on any dubious passages (should there ever be one!), listen and comment on playbacks in the control room, take lunch with the production team, etc. I found him to be an absolute delight, a fount of amusing anecdotes, generous yet humble, above all, a man at the height of his formidable musical ability. His performance of the Dorian Fugue has remained in my memory, with the final pages building to a truly thrilling close. He did confess that the Bach series had put him to the test, as he had never learned all the P's & F's ! I would never have guessed. Belated birthday greetings to one of the giants of the organ world.
  6. This small organ is available for immediate removal. Would suit small church or perhaps a large music room. http://www.npor.org.uk/NPORView.html?RI=K00924 It is located in South Essex. Stands on a gallery, no back case or treble side panels. PM me for contact details.
  7. Good point, Colin. All the organ humidifiers I have encountered are controlled by a Humidistat, typically set to 55-60%. Chest magnet armatures can be vulnerable to over-enthusiastic humidification. The leather gasket can separate from the metal disc. H.
  8. Just to prove the old adage, 'you can learn something new every day', I visited a very nice 1904 Hunter organ today, to which a humidifier has been fitted. Aside of the usual trunking into the wind system to distribute humidified air into the soundboards, there was a further feed to a 4" diameter metal trunk, about 3-4ft long, with a series of holes along the length of it, projecting humidified air into the air space beneath the soundboards. This struck me as eminently sensible - a bit of space humidification - yet in 39 years in the trade, I've never seen it done before. Any one else ? H.
  9. I think we have narrowed it down by elimination. This would be the last thing which may work...If not it will mean replacing the system. Would be very happy to give it a try. Please message me when you have news...and thanks for taking the trouble to reply. Richard.
  10. Any one out there with a spare CMTS ETS20b Receiver card for a CMTS multiplexer transmission system (c.1987) ? Am in urgent need of a replacement. H.
  11. Undulating ranks are certainly better placed well apart. At Tonbridge School, Marcussen have placed the Solo undulating ranks next to each other but on elevated pipe blocks, in much the same way as a Cornet may be mounted. The Swell Voix Celeste is also stood up high on an elevated block, directly above the slide on which it stands. On another organ where we added a Celeste, the Swell Box had been enlarged to accomodate a 16' reed bass and the Celeste went in there, too. As a result, the Celeste will beat happily and consistently with the Sw Open, Lieblich or Gamba, giving three distinct choices of undulant. Whilst it's true that on some organs, drawing the Celeste alone will automatically bring on the unison string stop as well, this is usually done by a linkage in the stop actions. It doesn't necessarily imply that the two ranks must stand next to each other on the soundboard. I hope that adds a little insight. Anything which gets away from the 'snivelling strings' syndrome has got to be a good thing!
  12. Yea, verily...e'en at Tonbridge School, where I believe English is spoken. The Great Clarion 4ft breaks back, doubling the Trompete 8ft. The Swell Clairon 4ft ascends with flue pipes.
  13. Sorry to see this posted on Peter Collins Ltd webpage. Notice : the organ building firm of Peter Collins Ltd entered a creditor's voluntary liquidation on 20th January 2017 and a meeting of creditors was held on 30th January 2017. All enquiries should be directed to the liquidator at Elwell, Watchorn, Saxton LLP 109 Swan Street Sileby Loughborough Leicestershire LE12 7NN Phone : 01509 815150 Email : leicester@ewslip.co.uk
  14. Just came across this fine looking instrument on the NPOR, by Aubertin. Must be only a few miles from me, yet I knew nothing of it. Anyone else know about it ? http://www.npor.org.uk/NPORView.html?RI=M00005
  15. The link requires a login with username and password. Unable to see the article or pictures.
  • Create New...